Summary
A former prodigy who refuses to believe her best years are behind her and a young virtuoso searching for his passion both get an unlikely shot at their dreams in this sparkling debut about second chances, unexpected joys, and the miraculous power of music.
Prudence Childs was once the most famous kindergartner on the planet. After teaching herself to play piano at age three, she performed at the White House, appeared on talk shows, and inspired a generation to take up lessons. But as adolescence closed in, Prudence realized that she was being exploited and pushed into fame by her cruel grandmother, so she ran away.Broke and alone, she took a job writing commercial jingles, which earned her a fortune but left her creatively adrift.
Now forty-eight, with her daughters away at school, Prudence agrees to compete on a wildly populardueling pianos TV show to reconnect with her inner artist. Unfortunately, her new spotlight captures the attention of her terrible ex-husband, Bobby, who uses the opportunity to blackmail her over a long-buried secret. If she doesn't win, she won't just be a musical failure;she'll also be bankrupt and exposed in front of millions.
Her on-air rival, virtuoso Alexei Petrov, a young internet sensation with a massive audience and a dreamy Russian accent, has problems of his own. His demanding parents made him a technically flawless pianist but left him without friends, hobbies, or any kind of life outside his music.
As they prepare to face off onstage, the retired prodigy and the exhausted wunderkind realize that the competition is their chance to prove to their bad exes, tyrannical family members, and, most important, themselves that it's never too late to write a new ending.
Author Notes
Michelle Hoffman is a former arts and entertainment writer for The Arizona Republic . She began formal piano lessons at the age of five and now lives in Arizona with her husband, two spoiled Shih Tzus, and a very large piano.
Publisher's Weekly Review
Hoffman's comic debut portrays two pianists who try to recover their artistic aspirations after selling out. Once a famous piano prodigy, Prudence Childs grew disillusioned from her time in the spotlight (as a child, she was paraded onto The Dick Cavett Show) and quit at 18 after striking it rich with a jingle for a soda commercial. Thirty-one years later, Prudence is an empty nester, and she frets to her husband that she'll be remembered as nothing more than a "circus act." In a parallel narrative, the 22-year-old host of Alexei Petrov's Dueling Piano Wars! would rather be playing in conservatories than on a reality competition TV show. When a producer approaches Prudence to join the program, she signs on to be Alexei's competitor. As Prudence tries to keep some secrets pertaining to the jingle, Alexei resists adding a rock category to the competition, a genre he claims to be "constitutionally incapable" of performing. Though the final piano duel feels a bit rushed, Hoffman makes up for it with snappy dialogue and a pair of offbeat characters worth rooting for. This feel-good story hits all the right notes. Agent: Stefanie Liberman, Janklow & Nesbit Assoc. (June)
Library Journal Review
Music was once a balm to Prudence Childs's soul. Though she used to be a child musical prodigy, now, at 48 years old, she wants nothing to do with it. Her supportive husband tries to encourage her to play by bringing her childhood piano to their home, but she petulantly offers it for a celebrity auction. Then, just when the piano is about to be sold, she realizes she might not be done with music after all. Meanwhile, Russian piano prodigy Alexei Petrov, the frustrated host of the popular reality show Dueling Piano Wars, longs to play real music rather than crowd-pleasing inanities. When the show's producer pits Prudence and Alexei against each other, blackmail, revenge, and heartfelt considerations of self-agency ensue, concluding with an ending where everyone gets what they want. Gabra Zackman capably narrates Hoffman's satisfying debut. Her voicing of Prudence is particularly skillful, successfully embodying the pianist's self-pity, recaptured love of music, and determination to let the little things go. Zackman provides a variety of character voices and makes each of them easily distinguishable. VERDICT Though listeners may want to ignore the pat ending, the novel's focus on the characters and insights into music, success, and fate do not disappoint.--B. Allison Gray
Excerpts
CHAPTER ONE Prelude in E Minor There were no more children at home. No more overflowing laundry hampers. No more backpacks in the foyer. It was just the two of them. Three if you included Mrs. Wintour, which Prudence did. A week ago, Prudence and Stuart had dropped their youngest child off at a prestigious Midwest college with a clock tower, granite buildings, and stone statues. Their eldest was already attending a prestigious East Coast college with its own clock tower, granite buildings, and stone statues. Now that they were back home in the Southwest, back in the desert, Prudence wept at tiny boxes of raisins in the grocery store, reached for old bath toys in the closet. Catching a whiff of baby lotion was like being tugged into a time machine. The absence of her daughters unmoored her. She had not expected how much she would miss those beautiful creatures who could delight her one minute and aggrieve her the next. A child's world, Prudence had discovered when her girls were young, is only as large as what is around them. Her daughters never cared about their mother's storied childhood, how she'd played for two sitting presidents and had tea with Isaac Stern. They cared only that she could make mud pies and killer vegan tacos. Prudence gave her children everything she herself had been denied. She read them stories, taught them card games, and held them when they were sad. She nurtured them precisely so they would become independent adults. But the opposite had happened to Prudence along the way: She had grown dependent on them. Prudence had tried to be brave the day she and Stuart dropped Becca off at college, but as she looked around at the cinderblock dorm room, a terrible thought occurred to her. She would never see Becca again. "You okay, Mom?" "Promise me you'll come back for Christmas and summer breaks?" "Only if you don't turn my bedroom into a sewing room. Oh, wait, you already have one!" She hugged her mother. "Of course, I'll come back home." Out in the hallway, Prudence could hear new roommates chattering while moms and dads lugged boxes and suitcases up the stairwells. The cheerful chaos depressed her almost as much as the worn linoleum floors. How can they all be so happy? She had to stop herself from popping her head out the door and yelling, "Which one of you has an extra Xanax?" In an effort to delay the inevitable, Prudence began taking the clothes from Becca's bags and arranging them in the wardrobe. "Mom, I want to do it myself." "Just let me . . ." Stuart placed a soft hand on his wife's shoulder. "It's time, Prudence. We have a flight to catch." She squeezed Becca's shoulders. "If you cry, I'll cry," her daughter said. Prudence wanted to do more than cry. She wanted to let out a guttural wail that would echo down the concrete hallway. Instead, she said, "Don't forget me!" To which Becca replied, "That would be hard to do, Mom." Now, because she did not have to prepare dinner or run anyone to ballet lessons, Prudence lay listlessly in her chaise by the pool, where she indulged her new obsession with death. The morbid thoughts had come without warning. She couldn't talk herself out of them. It was like falling in love suddenly and with the wrong person. It became a sickness. A fever. An illness with no known cure. She would die. Her memorial would attract gawkers. It wouldn't rain like it does in the movies. It'd be ridiculously hot. People would wear shorts and flip-flops. They'd bring their stupid water bottles and take pictures on their phones. They'd snap up those cheap plastic dolls on eBay first chance they got. Prudence at the Piano, they were called. Her grandmother had arranged for them, like that awkward Dick Cavett interview when she was eight--he'd asked what her favorite song was and she had replied, "Boogie Fever." Everyone laughed, of course, because he meant, what was her favorite song to play. Prudence would be remembered for that interview, which had racked up nearly three million views on YouTube. "I'm going to die having been merely a circus act," she said to Mrs. Wintour. The eight-pound shih tzu cocked her head, and Prudence nodded the way you do when you're in the company of someone who just gets you. She stared out into the cinnamon-colored desert at the cholla and the brittlebush. It had been a rainless summer. The hot wind blew, the mesquite trees rattled, the yard was kindling. It just needed a spark. It was six when the glass door slid open. "There you are," Stuart said. "Here I am," she said. "Good day?" he asked. "A day," she replied. "How are the banks?" "Still up and running. Look, you're burning." Prudence let out a long breath. "Je vais mourir." For Prudence spoke three languages, often lapsing into French when she was being dramatic. "What?" "I'm going to die." "How?" "I don't know yet." "Ah." "What a pity." She shook her head. "C'est dommage." Stuart unclipped his cuff links. "We're all going to die, you know." "Doesn't that bother you?" He shrugged, surveying his desert kingdom. He liked coming home to its marble floors and travertine walls. The mahogany-paneled billiard room gave him a thrill he found hard to name. The spectacular cactus garden, visible through floor-to-ceiling windows, was soothing after a long day of asset-backed securities. Then there was the pool, surrounded by teak sectionals and glass tabletops, ceramic pots cascading with succulents. It was a grand residence, and it was their home--a home made possible by the extraordinary success of one little jingle that Prudence had composed at the age of eighteen. And that was Pep Soda, on the air for thirty-one years. Kids turned it into a game in the schoolyard. Fraternity brothers sang it when they got drunk. Gardeners whistled it while trimming hedges. It was very catchy. "You're obsessing," he told her. Prudence did what she usually did in situations like this. She blamed her parents. "It's all that LSD my mom took back in the sixties. I'm damaged." Prudence's parents had been hippies. They'd had long hair and listened to folk music and had not worn shoes. "Yes, that's true. It was true last week, too, but you weren't baking in the sun talking about death then." Stuart stripped off his suit and jumped into the pool in his plain white briefs. He came up for air and said, "You know what I think?" "Tell me." "I think you're having a midlife crisis." "Really?" "Mm-hmm." "I should buy a sports car then." "You already have a Porsche," Stuart said. "A red one, even." But a flashy car did not take away the acute realization that in exactly one year and two months, Prudence would be fifty. She was old, her children were gone. So were family dinners around the table, vacations to the lake, and endless trips to the grocery store. That wonderful day-to-dayness that gave Prudence purpose had pried her loose from the clutches of fame. Yet despite this sublime domesticity, she feared that her life would come to an end without accomplishing the one thing that eluded her. Excerpted from The Second Ending: A Novel by Michelle Hoffman All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
