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Summary
Summary
" A brutal, incredibly bizarre exploration of insanity, guilt, love, and the darkness inside all of us . . . This novel is a hybrid monster that's part Lovecraftian nightmare and part literary exploration of evil."
-- Gabino Iglesias, NPR
Emma is hitchhiking across the United States, trying to outrun a violent, tragic past, when she meets Lowell, the hot-but-dumb driver she hopes will take her as far as the Badlands. But Lowell is not as harmless as he seems, and a vicious scuffle leaves Emma bloody and stranded in an abandoned town in the Black Hills with an out-of-gas van, a loaded gun, and a snowstorm on the way.
The town is eerily quiet and Emma takes shelter in a diner, where she stumbles across Earl, a strange little boy in a tinfoil mask who steals her gun before begging her to help him get rid of "George." As she is pulled deeper into Earl's bizarre, menacing world, the horrors of Emma's past creep closer, and she realizes she can't run forever.
Tinfoil Butterfly is a seductively scary, chilling exploration of evil--how it sneaks in under your skin, flaring up when you least expect it, how it throttles you and won't let go. The beauty of Rachel Eve Moulton's ferocious, harrowing, and surprisingly moving debut is that it teaches us that love can do that, too.
Author Notes
Rachel Eve Moulton earned her BA from Antioch College and her MFA in fiction from Emerson College. Her work has appeared in The Beacon Street Review , Bellowing Ark , Chicago Quarterly Review , and The Bryant Literary Review , among other publications. Tinfoil Butterfly is her first novel.
Reviews (3)
Publisher's Weekly Review
Unrelenting and artfully crafted, this haunting debut and its tortured protagonist easily cement Moulton as a must-read writer in the horror genre. Running from addiction and the tragic death of her stepbrother, Emma hitchhikes to the Black Hills with Lowell, a man in search of his ex and their child. When Lowell attempts to kidnap her, Emma robs him of his gun and van, leaving him with a bullet wound alone in the middle of the Badlands with the threat of snow. Soon out of gas, Emma finds herself stranded in a mostly abandoned community; its primary resident is a little boy named Earl who wears a tinfoil mask over his scarred face. Earl, in immediate danger after poisoning his violent father, refuses to help her until she finishes off his abuser. As the pair conspire to escape, the purity of Emma and Earl's relationship stands in stark contrast to their isolated setting and the darkness of their traumas. Readers will be heartsick at the thought that either one might not survive. The narrative, both disturbing and irresistible, is propelled by these two well-imagined characters and their need for each other. This is a gripping tale of terribly human horrors. (Sept.) © Copyright PWxyz, LLC. All rights reserved.
Kirkus Review
Troubled 22-year-old Emma Powers lands in the middle of a mystery bigger than her own actions when she meets Earl, a feral boy living seemingly alone in the Black Hills of South Dakota, who hides his face behind an elaborate tinfoil mask.Emma is on the run. Her destination is the Badlands, where she hopes to uphold her end of the suicide pact she made with her stepbrother, Ray. In addition to her filthy Doc Martens and despised "set of double Ds," she's carrying with her the baggage of her and Ray's obsessive relationship, her complicity in his death, the emotional scars of her father's childhood abandonment, a surgical wound from her recent emergency hysterectomy, and the seeds of a cancer she refuses to treat. She also has a hearty addiction to Vicodin, and, under its fuzzy influence, she hitches a ride with Lowell, a "white dude who thinks tribal tattoos are a grand idea," who is on his way to kidnap his young daughter and take her to the West Coast. When Lowell's generally creepy vibe tips over into sexual violence, Emma shoots him and steals his van, leaving him to freeze in the impending blizzard. In search of gas, Emma pulls off at an abandoned diner, and there she meets Earl, an approximately 8-year-old boy who hides behind a tinfoil mask. As Emma struggles to get back on the road, Earl draws her further and further into the secrets that abound in his dark life. We meet George, Earl's abusive father, whom Earl has attempted to poison with a stolen bottle of Emma's pills, and learn what exactly is in the cellar Earl would like Emma to throw George into. As the extent of George's abuse becomes clear, Emma decides to take Earl with her, though she is unclear where her own journey will endbut George and a vengeful Lowell have other plans for them both. Marked by fire and ice, Moulton's debut insists on upping its ante at every turn. The result is a preponderance of conflagrations that consume not only the ready tinder of the abandoned ghost town Earl calls home, but also all semblance of rational character-building. In spite of the intricate rendering of this cold and remote landscape, the story itself feels false and vague, more like smoke than fire.An ambitious plot that fails to cohere into either insight or revelation. Copyright Kirkus Reviews, used with permission.
Booklist Review
A creepy locale and a terrifying, larger-than-life villain give this debut novel its chills, while terrors of the human kind abuse, drug addiction, self-harm give it heft. Hitchhiking her way to the Badlands, Emma ends up with Lowell, a desperate man planning to kidnap his daughter from his ex. When things turn violent, Emma is able to steal Lowell's gun and his van, leaving him for dead. But things get much more dangerous, and scarier, when Emma lands in an abandoned town solely inhabited by a small boy called Earl, who wears a tinfoil butterfly mask to hide the scars given to him by his abusive father, George. Earl and Emma form a fast bond against George, who is effectively hunting them through the snowy terrain. Flashbacks flesh out the story, as readers learn what Emma is running from and why she has the deep, jagged scar on her abdomen. Horror fans looking for a beach read will find it in this plot-driven, page-turning novel but they shouldn't expect a tidy ending.--Kathy Sexton Copyright 2010 Booklist
