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|---|---|---|
Searching... Hardwood Creek Library (Forest Lake) | GRAPHIC DAV | Searching... Unknown |
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Summary
Summary
"The Weather Clock said knife o'clock so I chained Dad up in the shed." In Scarper Lee's world, parents don't make children - children make parents. Scarper's father is his pride and joy, a wind-powered brass construction with a billowing sail. His mother is a Bakelite hairdryer. In this world it rains knives, and household appliances have souls. There are also no birthdays - only deathdays. Scarper knows he has just three weeks to live.
As his deathday approaches, Scarper is forced from his routine and strikes out into the unknown - where friendships are tested and authority challenged. Unsettling and fiercely original, The Motherless Oven traces a journey through a bizarre, distorted teenage landscape: a world, after all, not so different from our own.
Author Notes
Rob Davis began his career self-publishing the comic SLANG. He is best known for reinventing Roy of the Rovers and for drawing Judge Dredd (Rebellion). He has written and illustrated Doctor Who (Panini) and adapted H.P. Lovecraft's "The Dunwich Horror" for The Lovecraft Anthology Vol. 1 (SelfMadeHero). The first volume of his graphic novel adaptation of Don Quixote was shortlisted at the British Comic Awards. He is also the editor of the award-winning collaborative comic anthology Nelson.
Reviews (3)
School Library Journal Review
Starred Review. Gr 9 Up-In a bizarre, topsy-turvy world where children make parents, and knives rain from the sky, Scarper Lee's deathday looms before him like a ticking time bomb. The teen has resolved himself to his fate-even if his hairdryer mother and makeshift wind-powered brass sculpture father haven't quite yet-when new girl Vera Pike arrives and throws a wrench into the status quo. When his father disappears (though he's usually chained in the shed), Scarper, Vera, and new friend Castro Smith (a boy who speaks in lucid riddles and has a knack for repairing kitchen gods) escape their daily routine to find him. During their journey, they face a field of abandoned mother creatures, a gaggle of elderly police officers, and their own mortality. In an Odyssey-like quest, the trio searches for the fabled Motherless Oven, where humans were supposedly first fashioned, and hopefully the answer to all of their prayers. Heady topics such as existentialism, destiny, religion, and love make this a quirky title rife for discussion. Davis's dark and shadow-filled art appropriately mindbends and illuminates the text. The variation in panels quickens and pulls back the pace in this enigmatic tale, with the right amount of imagery left open for interpretation. For fans of Farel Dalrymple's The Wrenchies (First Second), David Almond's novels, and teens who enjoy graphic novels that are disturbing and beautiful all at once.-Shelley Diaz, School Library Journal (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
Scarper Lee is facing his death day in a world without birthdays where lives proceed in reverse. His dad is a metal leviathan on wheels, chained to the ground in the family's garage; gods sing and scream throughout the house; and knives rain from the sky. Scarper does his best to stick to his schedule, even as his new schoolmate, Vera Pike, tries to shake up his routine. Scraper, Vera, and their pal Castro are pursued across the country by the law, in the form of an elderly couple riding around in some sort of horseless carriage, after Scraper's father disappears. This is a weird story with a lot of potential, but Scarper and his heavy and moody eyebrows never make much of a connection with the reader. The art by Davis (Don Quixote) is well conceived, full of shadows and strange shapes, but the narrative feels like a fairly normal coming-of-age story that has had some strange visuals layered onto it. The last third is the best, when Scarper and the gang are on the run. Davis leaves room at the for a sequel; if there is one in the words, hopefully Davis will find a way in it to breathe more life into his surreal world. (Oct.) © Copyright PWxyz, LLC. All rights reserved.
Booklist Review
When Scarper's father mysteriously disappears, he and his friends Vera and Castro skip out of school to try to find him. Only . . . his father is a talking boat. And his mother is a hair dryer. It rains knives, and lions roam the school grounds. And Scarper only has three weeks until his deathday, if he can even survive long enough. Although Scarper's surreal world is upside down compared to ours, it doesn't take long for the reader to find the method in the madness and realize that our worlds are more similar than we would ever care to admit. With Orwellian authoritative overtones behind a Lynchian backdrop, Davis has created a bizarre yet familiar world that asks more questions than it answers and provides poignant commentary on a range of topics from consumerism to conformism. His stark, high-contrast black-and-white illustrations reinforce the oppressive and avant-garde tones of the overall piece. Wonderfully odd and oddly wonderful.--Blenski, Peter Copyright 2014 Booklist
