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Summary
Summary
Publishers Weekly calls this utterly charming, deftly crafted mystery about an intrepid young girl's quest to foil a plot to assassinate Queen Elizabeth I "worthy of a standing ovation".
Emilia Bassano is a girl who relishes the music of words. Although she plays the lute and writes poetry, Emilia nurtures a dream: to hear her words come alive on stage. Emilia wants to write soliloquies for heroes and kings and queens of old, fashion fierce villains to make audiences howl, and try her hand at comedy and romance. Most of all, she wants to create unforgettable women characters.
On one of her trips to the theater, an unfortunate series of events leaves her penniless, with no way of watching the show. That is until a boy by the name of Will Shakespeare helps her sneak in to see the play. They realize they're both aspiring playwrights and Emilia convinces Will to join her in her efforts to win a playwriting competition at the palace of Queen Elizabeth I.
However, when Emilia accidentally uncovers a plot to kill the queen, she is given the job of traveling to the castle where Mary Queen of Scots is being held captive, to discover who is responsible for the plan to murder Queen Elizabeth--and to thwart it! Can Emilia and her friends stop the plans of a disguised murderer on the loose?
This delightful mystery is a marvel of incisive wit and extraordinary craft from the beloved, award-winning author Deborah Hopkinson.
* "Breaking down elements of drama and spycraft, this carefully researched, jam-packed read offers insight into layers of historical power and influence while humorously rendering asides on feminism and social issues of the period. It's a bustling theatrical romp worthy of a standing ovation." -- Publishers Weekly , starred review
Author Notes
Deborah Hopkinson is the highly acclaimed author of thrilling, accessible, and compelling works of fiction and nonfiction for every reader. She has written over forty award-winning books, including Titanic: Voices from the Disaster , a YALSA Excellence in Nonfiction Award Finalist and Sibert Honor Book; D-Day: The World War II Invasion That Changed History ; We Had to Be Brave: Escaping the Nazis on the Kindertransport , which was a Kids' Book Choice Award Nominee and a Sydney Taylor Notable Book; NCTE/Orbis Pictus Recommended Book, We Must Not Forget ; Race Against Death , which School Library Journal called "impactful" in a starred review; and her series for Grades 2-5, The Deadliest, which are action-packed, photo-filled nonfiction titles about disasters throughout history, and the rollicking novel The Plot to Kill a Queen . Deborah lives outside Portland, Oregon.
Reviews (3)
Publisher's Weekly Review
A 13-year-old stumbles upon a royal murder plot in this standout historical novel from Hopkinson (Race Against Death), written in three acts and set in 1623. The literary curtain opens as lute player and aspiring playwright Emilia Bassano--one of many characters based on 16th-century historical figures--sneaks away from court disguised as a servant boy to see a public performance, and encounters theater hopeful William Shakespeare. This act of daring persuades Emilia's guardian, Queen Elizabeth's spymaster, to send her on a mission to gather intelligence at Sheffield Castle, the court of the imprisoned Mary, Queen of Scots. Under the alias Emily Hughes, free-roaming Emilia spies on Queen Mary's court and encounters a plot against Queen Elizabeth. Breaking down elements of drama and spycraft, this carefully researched, jam-packed read offers insight into layers of historical power and influence while humorously rendering asides on feminism and social issues of the period. It's a bustling theatrical romp worthy of a standing ovation. Extensive back matter includes historical notes, a timeline, and one-act play "The Princess Saves the Cakes." Characters read as white. Ages 8--12. (Oct.)
Kirkus Review
At the behest of Queen Elizabeth I's spymaster, a young musician turns secret agent to infiltrate the household of Mary, Queen of Scots. It's 1582, and 13-year-old Emilia Bassano has been dispatched by her guardian, Sir Francis Walsingham, from bustling London to dreary Sheffield Castle, the residence of exiled Queen Mary. Emilia's purpose is to verify rumors of yet another scheme to assassinate Elizabeth. Emilia (a historical figure, like most of the cast) smartly carries her mission out to a successful conclusion with a clever closing twist. That fictive storyline is more like the main event on a crowded bill, though, with Hopkinson pausing frequently to include infodumps about Elizabethan life and theater, slip in numerous period portraits and images, and have her characters make pointed observations about how only white male actors are allowed on stage and how unfair it is that women can't write books or plays or receive proper educations. Meanwhile, in her spare time, Emilia writes a one-act play that revises the old tale of King Alfred and the cakes, giving his future warrior queen daughter, Aethelflaed, a starring role--which is appended in full and preceded by extensive production notes and a general performance license to encourage young thespians. That all of this hangs together nicely is a real tribute to the veteran author's skill, not to mention her chops as a researcher. A fully packed feminist treat. (cast list, bibliography, timeline) (Historical fiction. 9-13) Copyright (c) Kirkus Reviews, used with permission.
Booklist Review
The imprisonment of Mary, Queen of Scots and the conspiracies against Elizabeth I come to life in this middle-grade novel for fans of theater, Elizabethan England, and smart female protagonists. Emilia Bassano has grown up at court, raised there after her father's death, but when the Queen's spymaster needs her help, she goes undercover as a lute player to play for the imprisoned queen. In between attempts to write her own play, Emilia embarks on a quest to save her queen that unfolds scene by scene, act by act. While there is a mystery in the plot, the theatrical air of the narrative, filled with asides and scene setting, takes prominence and will entice readers interested in the period or theater in general. Somewhat clunky pacing distracts, but the historical intrigue, espionage themes, and Renaissance setting will appeal to fans of Karen Cushman's classic The Midwife's Apprentice. Back matter offers more information on the real figures that inspired Hopkinson's characters, as well as the text of Emilia's fictional play, The Princess Saves the Cakes.
