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Summary
Summary
Large Print�s increased font size and wider line spacing maximizes reading legibility, and has been proven to advance comprehension, improve fluency, reduce eye fatigue, and boost engagement in young readers of all abilities, especially struggling, reluctant, and striving readers.
Author Notes
Jason Reynolds is the author of When I Was the Greatest, for which he won the Coretta Scott King/John Steptoe Award for New Talent. His debut middle grade book, As Brave As You, was awarded the 2016 Kirkus Prize for young readers'. His other works include Boy in the Black Suit, and All American Boys.
(Bowker Author Biography)
Reviews (5)
Publisher's Weekly Review
Will, 15, is following his neighborhood's well-established rules-don't cry, don't snitch, but do get revenge "if someone you love/ gets killed"-when he leaves his apartment, intent on killing whoever murdered his older brother, Shawn. He's emboldened by the gun tucked into his waistband: "I put my hand behind my back/ felt the imprint/ of the piece, like/ another piece/ of me/ an extra vertebra,/ some more/ backbone." As Will makes his way to the ground floor of his building, the elevator stops to accept passengers, each an important figure from his past, all victims of gun violence. Are these ghosts? Or is it Will's subconscious at work, forcing him to think about what he intends to do and what it will accomplish? The story unfolds in the time it takes for the elevator to descend, and it ends with a two-word question that hits like a punch to the gut. Written entirely in spare verse, this is a tour de force from a writer who continues to demonstrate his skill as an exceptionally perceptive chronicler of what it means to be a black teen in America. Ages 12-up. Agent: Elena Giovinazzo, Pippin Properties. (Oct.) © Copyright PWxyz, LLC. All rights reserved.
Horn Book Review
Fifteen-year-old Will, immobilized with grief when his older brother Shawn is shot and killed, slowly comes to mull The Rules in his head. There are three: dont cry, dont snitch, and if someone you love / gets killed, / find the person / who killed / them and / kill them. So Will locates Shawns gun, leaves his familys eighth-floor apartment, and--well, here is where this intense verse novel becomes a gripping drama, as on each floor of the descending elevator Will is joined by yet another victim or perpetrator in the chain of violence that took his brothers life. Shawns best friend Buck gets into the elevator on seven; Dani, Wills friend from childhood, gets in on six; Will and Shawns uncle Mark gets in on five, in a cloud of cigarette smoke. And so it goes, each stop of the elevator adding to the chorus of ghosts (including Will and Shawns father), each one with his or her perspective on The Rules. The poetry is stark, fluently using line breaks and page-turns for dramatic effect; the last of these reveals the best closing line of a novel this season. Read alone (though best aloud), the novel is a high-stakes moral thriller; its also a perfect if daring choice for readers theater. roger Sutton (c) Copyright 2017. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Booklist Review
*Starred Review* Spanning a mere one minute and seven seconds, Reynolds' new free-verse novel is an intense snapshot of the chain reaction caused by pulling a trigger. First, 15-year-old Will Holloman sets the scene by relating his brother Shawn's murder two days prior gunned down while buying soap for their mother. Next, he lays out The Rules: don't cry, don't snitch, always get revenge. Now that the reader is up to speed, Will tucks Shawn's gun into his waistband and steps into an elevator, steeled to execute rule number three and shoot his brother's killer. Yet, the simple seven-floor descent becomes a revelatory trip. At each floor, the doors open to admit someone killed by the same cycle of violence that Will's about to enter. He's properly freaked out, but as the seconds tick by and floors count down, each new occupant drops some knowledge and pushes Will to examine his plans for that gun. Reynolds' concise verses echo like shots against the white space of the page, their impact resounding. He peels back the individual stories that led to this moment in the elevator and exposes a culture inured to violence because poverty, gang life, or injustice has left them with no other option. In this all-too-real portrait of survival, Reynolds goes toe-to-toe with where, or even if, love and choice are allowed to exist. HIGH-DEMAND BACKSTORY: A noisy buzz always surrounds this critically acclaimed author's work, and the planned tour and promo campaign will boost this book's to a siren call.--Smith, Julia Copyright 2017 Booklist
School Library Journal Review
Gr 8 Up-Fifteen-year-old Will's big brother has been shot and killed. According to the rules that Will has been taught, it is now his job to kill the person responsible. He easily finds his brother's gun and gets on the elevator to head down from his eighth-floor apartment. But it's a long way down to the ground floor. At each floor, a different person gets on to tell a story. Each of these people is already dead. As they relate their tales, readers learn about the cycle of violence in which Will is caught up. The protagonist faces a difficult choice, one that is a reality for many young people. Teens are left with an unresolved ending that goes beyond the simple question of whether Will will seek revenge. Told in verse, this title is fabulistic in its simplicity and begs to be discussed. Its hook makes for an excellent booktalk. It will pair well with Angie Thomas's The Hate U Give and Reynolds's previous works. The unique narrative structure also makes it an excellent read-alike for Walter Dean Myers's Monster. VERDICT This powerful work is an important addition to any collection.-Kristin Anderson, Columbus Metropolitan Library System, OH © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
After 15-year-old Will sees his older brother, Shawn, gunned down on the streets, he sets out to do the expected: the rules dictate no crying, no snitching, and revenge. Though the African-American teen has never held one, Will leaves his apartment with his brother's gun tucked in his waistband. As he travels down on the elevator, the door opens on certain floors, and Will is confronted with a different figure from his past, each a victim of gun violence, each important in his life. They also force Will to face the questions he has about his plan. As each "ghost" speaks, Will realizes how much of his own story has been unknown to him and how intricately woven they are. Told in free-verse poems, this is a raw, powerful, and emotional depiction of urban violence. The structure of the novel heightens the tension, as each stop of the elevator brings a new challenge until the narrative arrives at its taut, ambiguous ending. There is considerable symbolism, including the 15 bullets in the gun and the way the elevator rules parallel street rules. Reynolds masterfully weaves in textured glimpses of the supporting characters. Throughout, readers get a vivid picture of Will and the people in his life, all trying to cope with the circumstances of their environment while expressing the love, uncertainty, and hope that all humans share. This astonishing book will generate much needed discussion. (Verse fiction. 12-adult) Copyright Kirkus Reviews, used with permission.
Excerpts
Excerpts
Long Way Down DON'T NOBODY believe nothing these days which is why I haven't told nobody the story I'm about to tell you. And truth is, you probably ain't gon' believe it either gon' think I'm lying or I'm losing it, but I'm telling you, this story is true. It happened to me. Really. It did. It so did. Excerpted from Long Way Down by Jason Reynolds All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
