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Searching... Hardwood Creek Library (Forest Lake) | TEEN 811.6 HEP | Searching... Unknown |
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Summary
Summary
Once upon a time . . .
you were a princess,
or an orphan.
A wicked witch,
fairy godmother,
prom queen,
valedictorian,
team captain,
Big Bad Wolf,
Little Bo Peep.
But you are more than just a hero or a villain, cursed or charmed. You are everything in between.
You are everything.
In fifty poems, Christine Heppermann places fairy tales side by side with the modern teenage girl. Powerful and provocative, deadly funny and deadly serious, this collection is one to read, to share, to treasure, and to come back to again and again.
Reviews (5)
Publisher's Weekly Review
In a potent collection of verse, Heppermann melds fairy-tale imagery with lacerating commentary about the demands that society makes on women and girls. The results are excoriating and nearly impossible to forget. "Once upon a time there was a girl who/ had a good hair week!" opens a magazine-style twist on Red Riding Hood. "Seven cute looks/ she could do at home, and their names were/ Waves, Bun, Bangs, Braid, Sleek, and/ Party-Ready Ponytail." Other poems examine eating disorders, consent, and body image, but while Heppermann illuminates many bitter truths, she also celebrates women's ability to surmount the societal, systemic forces seeking to box them in. "If I was a good girl,/ if I could satisfy their cravings... I might have stayed at the table," reads "Gingerbread." "Wouldn't you run, too,/ from such voracious love?" Ages 13-up. Agent: Tina Wexler, ICM. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.
Horn Book Review
For this poet, there is no dividing line between fairy tales and reality: "You can lose your way anywhere," claims the poem with which she begins this collection of fifty pieces on the devastating conjunction of girls' vulnerability, the rapacious beauty industry, and fairy tales. Caustic, witty, sad, and angry, Heppermann (a former Horn Book reviewer) articulates what some of her readers will no doubt perceive already but what may be news to others: the false promises, seductions, and deathly morass of popular culture's imagery of girls' bodies. What makes Heppermann's poetry exceptional, however, is not the messages it carries but the intense, expressive drive that fuels it. In "The Anorexic Eats a Salad": "Mountains rise, fall, rise again. / Stars complete their slow trek into oblivion. / A snail tours the length of China's Great Wall / twice. / All those pesky cancers--cured...She has almost made it through / her first bite." Or, in "The Wicked Queen's Legacy": "It used to be just the one, / but now all mirrors chatter. / In fact, every reflective surface has opinions / on the shape of my nose, the size / of my chest..." These poems dwell fiercely and angrily within the visual and verbal cacophony heard and seen by girls, offering an acerbic critique, mourning, and compassionate, unrelenting honesty. deirdre f. baker (c) Copyright 2014. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Booklist Review
*Starred Review* In 50 free-verse poems, Heppermann offers revisionist views of such traditional fairy tales as Snow White, Rapunzel, Little Red Riding Hood, and more. Each of her verses is offered in the context of the modern lives of young women, who must confront the difference between the promises of sugar-coated fantasy and the bitter lessons of real life lives that are often plagued by such problems as self-image, sexual harassment, anorexia, loneliness, and self-loathing. Thus, a bitter Eve is the first anorexic; the giant's daughter goes to the prom with greedy little Jack but longs for a man she can look up to; Miss Muffet diets until she is so small that the spider can wrap her in his web for later ingestion; Cinderella's ugly stepsister binges; Red Riding Hood wants to cohabit with the sexy wolf; the erstwhile ugly duckling has second thoughts about beauty; and more. As for tone and spirit, one could exhaust a thesaurus searching for words adequate to describe these selections: angry, acerbic, bleak, bitter, caustic, and cutting, and those are only the first three letters of the alphabet. As for content, look elsewhere for inspiration, but linger here for hard-edged truth. And while you're reading, enjoy the black-and-white photographic illustrations, which capture the tone and echo the occasional obscurity of each poem for although the literal meanings are not always immediately forthcoming, the haunting, evocative sensibility evoked is ever and impeccably present.--Cart, Michael Copyright 2014 Booklist
School Library Journal Review
Gr 8 Up-Traditional folk and fairy tales collide with feminist observations of modern beauty and hygiene culture in this compilation of 50 free verse and easy to read poems. Each one grapples with the state of femininity with caustic wit, heavy with criticism. Readers will also be treated to moody and eye-catching artwork that complements the poems perfectly. The accessibility of the poems coupled with the striking book cover and photos will appeal to a wide range of readers. The poems should spark interesting questions and insights for contemplation about obtaining a pop culture-derived, air-brushed perfection. One weakness is a failure to consider diversity in femininity; more feminine readers might find the poems slightly insulting because of a tone of disdain toward beauty culture. Overall, however, this is an engaging and enjoyable volume.-Mindy Whipple, West Jordan Library, UT (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
A slim volume sharp as knives.Lacing traditional fairy tales through real-life perils, Heppermann produces short poems with raw pain, scathing commentary and fierce liberation. Theres no linear arc; instead, girls buck and fight and hurt. One poem takes the expression You Go, Girl! literally, banishing anyone with wetness, dryness, tightness, looseness, / redness, yellowing, blackheads, whiteheads, the blues. In a structure heartbreakingly inverted from The Three Little Pigs (and nodding to Rumpelstiltskin), one girls body goes from a house of bricks, / point guard on the JV team to a house of sticks, / kindling in Converse high-tops, until finally shes building herself out of straw / as light as the needle swimming in her bathroom scale. / The smaller the number, the closer to gold. Shes her own wolf, destroying herself. Sexual repression, molestation and endless beauty judgments bite and sting, causing eating disorders, self-injury, internalization of rulesand rebellion. A hypothetical millers daughter says, No, I cant spin that room full of straw into gold. / . / No, I cant give you the child; / the child will never exist. Gretels act of eating will literally rescue Hansel; Red Riding Hood reclaims sexual agency, declaring, If that woodsman shows up now, / I will totally kick his ass.Full of razors that cutand razors to cut off shackles: a must. (authors note, index of first lines, index of photographs) (Poetry. 13-17) Copyright Kirkus Reviews, used with permission.