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Summary
Summary
It's hard enough to fit in without also having to decide whether to fast for Ramadan or wear the hijab.
Aliya already struggles with trying to fit in, feeling confident enough to talk to the cute boy or brave enough to stand up to mean kids-the fact that she's Muslim is just another part of her life.
But then Marwa, a Moroccan girl who shares Aliya's faith if not her culture, moves to town. Marwa's quiet confidence leads Aliya to wonder even more about who she is, what she believes, and where she fits in.
In a series of letters to Allah she writes for a Sunday school project, Aliya explores her dreams and fears, hoping that with hard work and faith, something beautiful will grow in the garden of imaan-the small quiet place inside where belief unfolds, one petal at a time.
This award-winning novel from author and educator Farhana Zia captures the social and identity struggles of middle school with a fresh, new voice.
Author Notes
Farhana Zia spent her early years in Hyderabad, India, and her stories blend humor and tradition, memories and contemporary moments. A retired elementary school teacher, she is the author of picture books and middle grade novels. She lives in Massachusetts and enjoys reading, writing, and making French macarons.
Reviews (5)
Publisher's Weekly Review
Aliya is an Indian-American Muslim preteen trying to make her way through school and life, riding the various divides between the conservative and liberal interpretations of her religion, standing up to the school bully, working up the nerve to talk to her crush and to run for student council, all while dealing with her annoying younger brother and fasting for Ramadan during Thanksgiving. Aliya's world is turned upside down with the arrival of Marwa, a Moroccan girl who wears a hijab and seems to fast every day of Ramadan with ease. Embarrassed by Marwa, Aliya starts writing letters to Allah in this modern homage to Are You There God? It's Me, Margaret. Zia (Hot, Hot Roti for Dada-Ji) has deep insight into adolescent Muslim life and capably handles diversity within American Islam. She provides one of the better representations of the matriarchy of South Asian families in her depiction of Aliya's home life-with the strong presence of her mother, grandmother, and even great-grandmother-and seamlessly weaves the Urdu language into her story. Ages 8-12. Agent: Jennifer Unter, the Unter Agency. (May) (c) Copyright PWxyz, LLC. All rights reserved.
Horn Book Review
Aliya, a Muslim, wends her way through the typical middle-school struggles until another Muslim girl moves to town and challenges Aliya's assumptions about the importance of fitting in. The characters are sometimes a bit flat, but Zia's exploration of Aliya's faith, confidence, and social anxieties feels authentic and gives readers a comfortable place to develop their understanding of another culture. Glos. (c) Copyright 2013. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Booklist Review
Terrorist. Go back to the desert. Drive a camel. Growing up Muslim in the Northeast, Aliya encounters racism on the streets and in her fifth-grade class, even though her family members are not strictly observant Muslims, she does not wear the hijab, and she doesn't even speak Arabic. She hates it that she is supposed to help a new student, Marwa, who does wear the hijab. Her big interest is in Josh, but he likes her classmate Juliana, and Aliya loses to Juliana in the election for class rep. Aliya's diarylike entries to Allah about her conflicts are sometimes contrived, but her wry first-person narrative perfectly captures her middle-school struggles with friends and enemies, as well as her family and her faith, as she changes her perspective, stands up to a bully, and wonders if she should wear the hijab after all. True to Aliya's contemporary viewpoint, which is sometimes laugh-out-loud funny, the messages are never heavy.--Rochman, Hazel Copyright 2010 Booklist
School Library Journal Review
Gr 4-7-Aliya is worried about fitting in at her New England school for many reasons. Other girls go to parties and talk about boyfriends, but her family is Muslim, so the fifth grader has to think about how these things do or don't fit in with what her religion teaches. Will the other kids notice when she fasts for Ramadan? What type of reaction might she face if she decides to wear the hijab? With Ramadan approaching, her teacher at the Islamic Center tells her to communicate with Allah, and taking the advice of her great-grandmother, Aliya decides to write letters to Allah explaining her concerns. As the year progresses, Aliya works at understanding herself and her faith, and with the support of a new Muslim classmate, she comes to appreciate her many blessings and her identity. The author recognizes the diversity of the Muslim population (Aliya's family is from India, while the new girl is from Morocco); however, the book is definitely slanted toward a more conservative Islamic viewpoint, particularly with regard to the hijab. Aliya mentions that her mother feels that Muslim women can be modest without covering up, and a classmate at the Islamic Center discusses how her parents are not happy about her decision to wear the hijab, but these ideas are not explored further. The novel is at its best when depicting Aliya's interactions with her grandmother and great-grandmother as well as comic incidents such as a halal turkey mix-up at Thanksgiving dinner. This would be a good addition for libraries serving Muslim populations; it also might be of interest to non-Muslim readers wanting to find out more about the religion's everyday life and practices.-Kathleen E. Gruver, Burlington County Library, Westampton, NJ (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
While inviting comparison to Judy Blume's seminal Are You There God? It's Me, Margaret, this likable tale of an Indian-American girl who fears drawing attention from those hostile toward Muslims focuses on the social consequences of religious identity, rather than faith itself. With Ramadan fast approaching, Sister Khan asks Aliya's religion class to set Ramadan goals and write about what they learn. She expects Aliya to fast not just weekends but weekdays. (Aliya's loving, supportive family leaves the decision to her.) Like Margaret before her, Aliya pours out her worries and frets over her late puberty in letters to Allah. Her friend Amal has gotten her period and started covering her head. Asked to befriend a Moroccan girl at her public school who wears hijab and fasts during Ramadan, Aliya's first annoyed, then intrigued at how Marwa finds a place for herself without sacrificing her religious principles. If the downside of open observance is clear to readers, the beliefs and intentions underlying these religious observances, especially hijab, are not. Hijab's part of her, Marwa says vaguely. "I feel natural in it." For Aliya's mother, who doesn't wear it, "hijab is a symbol of modesty--a good symbol but a figurative one." Omissions aside, Zia's gentle message--that Muslims come from many cultures whose observances differ, while the long shadow of 9/11 hovers over all--is timely and beautifully conveyed. (Fiction. 8-12)]] Copyright Kirkus Reviews, used with permission.
