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Summary
Summary
Discover the wonders of ancient Egypt through a fascinating journal from a lost expedition -- a treasure trove of fact and fantasy featuring a novelty element on every spread.
Who can resist the allure of ancient Egypt -- and the thrill of uncovering mysteries that have lain hidden for thousands of years? Not the feisty Miss Emily Sands, who in 1926, four years after the discovery of King Tut's tomb, led an expedition up the Nile in search of the tomb of the god Osiris. Alas, Miss Sands and crew soon vanished into the desert, never to be seen again. But luckily, her keen observations live on in the form of a lovingly kept journal, full of drawings, photographs, booklets, foldout maps, postcards, and many other intriguing samples. Here are just a few of Egyptology's special features:
-- an extravagantly gilded cover, featuring a raised Horus hawk pendant with three encrusted gems
-- a playable game of Senet -- ancient Egyptian checkers -- including board, pieces, original-style dice, and rules
-- a souvenir booklet showing how to read simple hieroglyphs
-- a scrap of textured "mummy cloth"
-- a large, jeweled Eye of Re "amulet" embedded in the last page of the book
Rich with information about life in ancient Egypt and peppered with Miss Sands's lively narration, Egyptology concludes with a letter from the former Keeper of Antiquities at the British Museum, explaining which parts of this unique tale may be accepted as fact, which are guided by legend, and which reflect the author's delightful sense of fancy.
Author Notes
Dugald Steer has written many books for children including the best-selling Dragonology and its companion, The Dragonology Handbook , as well as the forthcoming Wizardology . For ten years he was an editor at Templar Publishing in England, but he now devotes himself full-time to writing. Other books he has written include, The Night Tiger , Just One More Story , and Picture This . . . (with Alison Jay). For the moment, though, it seems more "ologies" are in the offing.
Nghiem Ta , Artistic Direction: Nghiem Ta works as a designer and paper-engineer at Templar where she has overseen the creation of the best-selling Dragonology and Egyptology , as well as the forthcoming Wizardology . Prior to working with Templar, she spent four years with pop-up maestro Ron van der Meer. Her current projects include more books with "ology" in the title.
Ian Andrew , Artist: Ian Andrew created the black and white pencil illustrations for Egyptology and The Egyptology Handbook . He is an accomplished animator having worked on the animated film, "Dolphins" which won several awards including Best Newcomer at the Zagreb Film Festival. He has illustrated many books for children including Jim's Lion by Russell Hoban and Tell Me One Thing, Dad by Tom Pow.
Nick Harris , Artist: Nick Harris created the large color illustrations in Egyptology on his computer. In addition to forays into animated TV advertising, he spent a spell working in the background department on the feature film, "Who Framed Roger Rabbit?" He has illustrated many books for children including the Smarties book Prize-winning Firework Maker's Daughter by Phillip Pullman.
Helen Ward , Artist: Helen Ward, who also worked on Dragonology , painted the many color recreations of Ancient Egyptian statues, wall paintings, and antiquities as well as the 1920s memorabilia that appear in Egyptology . Helen has also written a number of successful children's books including The Tin Forest and The Dragon Machine , both illustrated by Wayne Anderson.
Reviews (3)
School Library Journal Review
Gr 5-9-This oversized novelty book has a gold cover with red, plastic, "jewel" inlays to add to the drama. Written as an amateur Egyptologist's travel journal from 1926, each spread covers a distinct area of antiquity and is mainly factual in content, except for the author's chatty asides. The type resembles that of an old manual typewriter and the photos, reproductions, and sketches make the journal seem more realistic. There are papyrus pull-outs, pop-up art, minibooks, and fold-out maps and an envelope in the back with period postcards, ticket stubs, etc. Libraries will find the book useful for teaching journal writing, but difficult to keep together.-Carol Wichman, formerly at Northridge Local Schools, Dayton, OH (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
Following up on the winning format of the bestselling Dragonology, Egyptology: Search for the Tomb of Osiris by Emily Sands, illus. by Nick Harris, Ian Andrew and Helen Ward, takes readers from Cairo on the 1st of November, 1926, to the Sphinx on the Giza plateau, through the Valley of the Kings where Tutankhamen's tomb lies, and finally to the completion of the mission in January 1927: the tomb of Osiris. A golden cover bearing a Horus hawk with "three gems" opens to the journal entries of Emily Sands, complete with detailed sketches of various tombs, modes of transport, etc., as well as full-color paintings, plus postcards to lift and envelopes to open. Sands's clever quips and fascinating facts will hold the rapt attention of novices to the topic and Egyptian fanatics alike. (c) Copyright PWxyz, LLC. All rights reserved
Booklist Review
Gr. 3-6. Bound in gold and embellished with ruby-red "jewels," this follow-up to Dr. Ernest Drake's Dragonology 0 (2003)--which, like Dragonology, 0 credits a fictional character as its author, leaving those responsible for its written content unacknowledged--purports to be the scrapbook of an amateur archaeologist gone missing during the height of 1920s Egyptomania. As in Dragonology,0 pull-out documents, sundry flaps, and other novelty elements (including a "sample of mummy cloth" and a game of Egyptian checkers) will have children breathlessly anticipating each page turn. Even so, this seems to lack the cohesive artistic purpose that distinguished its predecessor .0 The images often appear overly slick, compromising the notion that they have been sketched on the fly by members of the expedition, and a fantastical frame story about the "lost tomb of Osiris" undermines the informational content, despite an awkward concluding attempt to separate fact from fiction. Dragonology'0 s broad crossover success probably won't be reincarnated here, but the allure of the subject matter and the luxe packaging is likely to be considerable. --Jennifer Mattson Copyright 2004 Booklist