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Summary
Summary
Don Brown introduces us to yet another little-known heroine. On June 9, 1909, twenty-two-year-old Alice Ramsey hitched up her skirts and climbed behind the wheel of a Maxwell touring car. Fifty-nine days later she rolled into San Francisco, becoming the first woman to drive across America. What happened in between is quite a tale! Through words and pictures, the author shares this story of a brave and tenacious young woman who followed her vision to conquer the open road - even when the road was nothing more than a wagon trail. Alice Ramsey's adventure offers a unique perspective on turn-of-the-century America and pays tribute to the pioneering spirit that helped create it.
Author Notes
Don Brown is the award-winning author and illustrator of many picture book biographies. He has been widely praised for his resonant storytelling and his delicate watercolor paintings that evoke the excitement, humor, pain, and joy of lives lived with passion. School Library Journal has called him "a current pacesetter who has put the finishing touches on the standards for storyographies." He lives in New York with his family.
Reviews (5)
School Library Journal Review
K-Gr 3A true tale with engaging art that stars a heroine with persistence and practical know-how. Overcoming steep mountains and mechanical breakdowns, Ramsey became the first woman to motor across the country. (Sept. 1997) (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
Brown (Ruth Law Thrills a Nation) rescues another American heroine from obscurity, here chronicling the first cross-country driving feat by a woman. Readers set off with Alice Ramsey on June 9, 1909, on the 59-day jaunt from New York to San Francisco. With colorful prose and deft watercolors, Brown evokes an era when automobiles were a novelty, maps were nonexistent, and a trip such as Ramsey's was daring indeed (and slow-goingher car's top speed was 42 miles an hour). Brown zeroes in on the kind of telling details that breathe life into the dry facts of historyfrom the intrepid Alice (decked out in goggles, enormous hat, and duster over voluminous skirts) negotiating an Illinois road "clogged" with pigs ("big pigs, little pigs, brown, black, and pink pigs!"), to the headlamps on her 1909 Maxwell ("Alice had to light them with a match"). The minimalist sketches have the air of being spontaneously composed along the journey. Whether Brown is depicting the Maxwell, a midnight blue desert under a ghostly moon, or the prone Alice, making repairs beneath her car with feet primly together in good ladylike fashion, he captures all the beauty, humor, danger and wonder of Ramsey's achievement. This road trip back in time is a grand adventure indeed. Ages 4-8. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
(Intermediate) Michael Dorris's adult novels Yellow Raft in Blue Water and Cloud Chamber chronicle the deceptions and betrayals that nearly destroy a family, generation after generation. Yellow Raft in Blue Water moves from the present generation of fifteen-year-old Rayona back through two generations of women on her maternal side, while Cloud Chamber opens in nineteenth-century Ireland and moves forward through five generations of Rayona's paternal family. Whereas these two books convey how suffocating and harmful relationships can be, The Window throws itself open to the strengths of familial bonds. From the moment eleven-year-old Rayona sits by the window waiting for the return of her frequently delinquent mother, this novel pulsates forward with an energy and wit that never falters. In lively contrast to Dorris's more somber historical novels for children, the seemingly cocky but vulnerable and emotionally needy Rayona narrates this short novel with a breezy, spunky voice. When her Indian mother does not return from her latest binge to declare their usual "National Holiday" (on which she and Rayona can eat breakfast for supper and practice being best friends), Rayona's philandering black father informs her that her mother has checked into a rehab center, but that he is unable to care for Rayona. Her foster placement with the relentlessly cheerful Potters (Rayona is amazed to discover that "there are actual people like this who aren't on a weekly sitcom") proves short-lived and disastrous; placement with the stolid Mrs. Jackson turns to unexpected fun for them both but is likewise cut short. Rayona senses that her father, in talking with her about his family (with whom she will live next) is "leaving something out, some detail, some secret within a secret, but I am so anxious to find out what happened next, to get to the 'me' part, that I let it go by." The Window is all the "me part," keeping the exuberant narrator squarely in the middle as she finds her place in the secrets of her family. Rayona soon learns that her grandmother (her father's mother) is white-a fact he tells Rayona when he is taking her to meet her grandmother for the first time. Rayona resolves not to miss another word for the rest of her life. Sitting in the window seat of the airplane, she understands that she will never again "be able to look out a small window and see [her] whole world from it." With the introduction of Rayona's great-grandmother, the ancient and proper Mamaw, her sensible and wise Aunt Edna, and her grandmother Marcella (a "vanilla Hostess cupcake" of a woman), Dorris's novel becomes yet more unguarded as these three women embrace their young relative with unconditional love. No scene feels more genuinely celebratory than when her aunt and grandmother travel west with Rayona to return her home. Having installed a device atop their car to provide cool air-a contrivance that re-quires the windows to be rolled up-the three must shout to be heard, causing a cacophony of "beg your pardons." When Grand-mother opens the window, thinking to be chastised but instead winning the approval of everyone as the cooler sails away, all three break into hilarity and song. Without glos-sing over the hurt and pain of parental abandonment, this novel of open win-dows is a joy, a "national holiday" to which we can return any day of the week. s.p.b. Picture Books Marc Brown Arthur's Computer Disaster; illus. by the author (Preschool, Younger) Arthur knows he's not supposed to be using his mother's computer, but the lure of Deep, Dark Sea, "the greatest game in the universe," is irresistible. Predictably, the computer breaks; luckily, it's easy to fix; reassuringly, Mom is not mad, just disappointed. She decrees that there will be no computer gaming for a week-at least for Arthur: "'I'll be right up,' called Mom. 'As soon as I blast these skeletons from the treasure chest.'" "Adapted by Marc Brown from a teleplay by Joe Fallon," this story of mild disaster followed by mild reproof will be a pleasant diversion for fans of the popular TV personality. r.s. Eve Bunting Ducky; illus. by David Wisniewski (Preschool) David Wisniewski's Caldecott-winning paper-cutting talents get a comedic workout here, illustrating Bunting's slightly sly text about a plastic duck who, along with thousands of fellow bathtub toys, is washed overboard when a storm hits the freighter ferrying them across the ocean (Bunting supplies a note about the factual event that inspired the story). The duck tells the story ("Our ship has disappeared. The sea is big, big, big. Oh, I am scared!"), including an unfortunate encounter with a shark ("It shakes its head and spits us out. I expect we are not too tasty, though we are guaranteed non-toxic") and the basic existential dilemma of a bathtub toy out of its element: "I wish we could swim and get away. But all we can do is float." The ocean's currents eventually bring the duck to shore alongside many of his compatriots, and he finally achieves his destiny, floating in the security of a bubblebath. This is an out-of-the way excursion for both author and illustrator, and if Wisniewski's pictures are sometimes too weighty for Bunting's buoyant text, they are certainly splashy enough. r.s. H Peter Collington A Small Miracle (Younger) The creator of On Christmas Eve (reviewed 11/90) revisits that significant night in another masterfully executed wordless picture book. The artist's trademark sequential frames make the experience of turning the pages like watching a movie; this time it's a gripping, matter-of-factly magical story of charity and selflessness rewarded. In the midst of a bustling, prosperous contemporary village, a desperate old woman loses every-thing when she sells her sole prized possession-her accordion-and then is robbed. On her way home, she encounters the same thief attempting (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Brown (Ruth Law Thrills a Nation, 1993) describes an astonishing feat without fanfare or needless adulation, in a story of a little-known automobile pioneer. In delicate watercolors, using a palette and pen-and-wash technique familiar from his first book, Brown tells the story of Alice Ramsey, the first woman to drive across America. She undertook her venture in 1909 with three women and a promise of car-repair assistance from the Maxell company, maker of the touring car and sponsor of the trip. Her journey offers readers a unique perspective on the US at that time: It was varied (hogs in the farmland, miles of railroad track in Chicago, gravelly arroyos in Wyoming) and vast (the seemingly limitless horizon of Nebraska and little more than a sandy path through Nevada). An arrival in San Francisco is enlivened by much flag-waving in the illustration, one more variation on the compositions that reveal cool nights, hot sunny plains, and lush mountainous forests. Brown leaves the story spare and true, with touches of humor; readers have enough information to pursue facts in other books, among them Patricia Rusch Hyatt's Coast to Coast With Alice (1995). It's quite a story, and Brown quietly reminds readers that it's also quite a triumph. (Picture book/nonfiction. 4-8)
Booklist Review
Ages 5^-8. For two months during the summer of 1909, Alice Ramsey motored from New York City to San Francisco in her Maxwell automobile. The intrepid 22-year-old became the first woman driver to make the cross-country trip, accompanied most of the way by three female companions and, for a few states, by a man from the Maxwell Company. The journey took 59 days and was marked by unpaved roads, poor directions, few signs, and mechanical problems, as well as a few humorous incidents such as a road blocked by pigs. The interesting text is matched by simple ink-and-watercolor wash artwork that dramatizes the scenes. Hyatt's Coast to Coast with Alice (1995) presents Ramsey's saga for older readers. --Carolyn Phelan
