All things left wild : a novel

"After an attempted horse theft goes tragically wrong, sixteen-year-old Caleb Bentley is on the run with his mean-spirited older brother across the American Southwest at the turn of the twentieth century. Caleb's moral compass and inner courage will be tested as they travel the harsh terrain and encounter those who have carved out a life there, for good or ill. Wealthy and bookish Randall Dawson, out of place in this rugged and violent country, is begrudgingly chasing after the Bentley brothers. With little sense of how to survive, much less how to take his revenge, Randall meets Charlotte, a woman experienced in the deadly ways of life in the West. Together they navigate the murky values of vigilante justice." --

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Library	Call Number	Status
Searching... Lake Elmo Library	FICTION WAD	Searching... Unknown
Searching... R.H. Stafford Library (Woodbury)	FICTION WAD	Searching... Unknown

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Summary

After an attempted horse theft goes tragically wrong, sixteen-year-old Caleb Bentley is on the run with his mean-spirited older brother across the American Southwest at the turn of the twentieth century. Caleb's moral compass and inner courage will be tested as they travel the harsh terrain and encounter those who have carved out a life there, for good or ill.

Wealthy and bookish Randall Dawson, out of place in this rugged and violent country, is begrudgingly chasing after the Bentley brothers. With little sense of how to survive, much less how to take his revenge, Randall meets Charlotte, a woman experienced in the deadly ways of life in the West. Together they navigate the murky values of vigilante justice.

Powerful and atmospheric, lyrical and fast-paced, All Things Left Wild is a coming-of-age for one man, a midlife odyssey for the other, and an illustration of the violence and corruption prevalent in our fast-expanding country. It artfully sketches the magnificence of the American West as mirrored in the human soul.

Reviews (2)

Publisher's Weekly Review

Wade's violent and transfixing debut follows teenage Caleb Bentley and his no-good older brother, Shelby, through the turn-of-the-20th-century southwest, where they are on the run after stealing horses and killing a young boy in the process. Caleb and Shelby are pursued by dandified rancher Randall Dawson, pushed by his wife into getting revenge for the death of their son, Henry. But Randall, a poet by inclination, is unsuited for such a mission of vengeance. Fortunately, he is helped by single-minded Charlotte Washington, a black woman who is good with a gun. They are joined by Henry's ranch hand friend Tadpole and an orphaned youth they find in an abandoned town. The Bentley brothers reluctantly join the Lobos, a band of outlaws led by a charismatic but volatile ex-Ranger named Grimes, from whom Caleb tries to rescue a Mexican girl Grimes plans to marry. And with Charlotte, Randall finds love and a courage he never knew he possessed as the two groups converge on one another for a blood-soaked climax. The author takes a classic western setup and refreshes it with sharp writing, strong characterizations, a vivid evocation of place, and a body count to rival The Wild Bunch. Fans of All the Pretty Horses will want to saddle up for this literary ride. Agent: Mark Gottlieb, Trident Media Group. (June)

Booklist Review

Sixteen-year-old Caleb Bentley and his older brother, Shelby, are on the run, having stolen horses and, in the process, inadvertently killed the son of the horses' owner, rancher Randall Dawson. The boys head to Texas, where they join the Lobos, a gang of outlaws bent on realizing their leader Mr. Grimes' mad dream of destiny. In the meantime, Dawson--woefully ill equipped--has set off in pursuit of them. Caleb will meet Sophia, whom Grimes claims is his daughter, and fall in love. The two flee Grimes' disapproval. While this is happening, Dawson meets a woman named Charlotte and, like Caleb, falls in love. Their intertwined fates are the subject of this often-somber first novel set at the turn of the twentieth century. Caleb tells his story in his own voice; Dawson's is told in third person, as the two accounts proceed in turn. Although sometimes a bit ponderous in its philosophizing, the novel is nevertheless accomplished, haunting, and satisfying.

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