Publisher's Weekly Review
In this engrossing history, Holt (Rise of the Rocket Girls) highlights Disney's largely forgotten female writers and animators. Animation aficionados may know of the studio's largely female-staffed Ink and Paint department, but the contributions discussed here embraced many other areas. Grace Huntington was the second woman ever hired for Disney's story department, as well as an avid, record-setting pilot. Artist Sylvia Moberly-Holland supervised key Fantasia and Bambi sequences, while designer Mary Blair masterminded Cinderella's mid-century modern aesthetic, and was later asked personally by Walt Disney to oversee Disneyland's "It's a Small World After All" ride. Despite demonstrating their immense talents, Holt's subjects faced continual workplace slights and hostilities, from sexual harassment to the denial of credit for their accomplishments. While restoring these women to their rightful place in history, Holt also covers the evolution of Disney's animated features, such as how the studio continually integrated new technological innovations, including the multiplane camera, stop-motion animation, Technicolor, and many others. Going up to the present to highlight how women have continued to play key roles in making films like Brave and Frozen, Holt's thorough and enchanting account will be a must-read for Disney enthusiasts and champions of women's artistic contributions. Agent: Laurie Abkemeier, DeFiore and Company (Oct.) © Copyright PWxyz, LLC. All rights reserved.
Kirkus Review
Inspiring tale of the women who contributed their creative prowess to Walt Disney's creations.Holt (Rise of the Rocket Girls: The Women Who Propelled Us, From Missiles to the Moon to Mars, 2016, etc.), who writes with a researcher's mind and a storyteller's heart, engagingly chronicles the lives of the women animators at Disney from their humble (and much ill-treated) beginnings breaking into the Ink and Paint Department during the company's rough commencement, through its founder's death in 1966, to the studio's modern age. In the majority of the narrative, the author focuses on five fascinating women who broke into the studio and made significant contributions. The first was Bianca Majolie, who went to high school with Walt Disney. The second, Grace Huntington, is worthy of her own biography. When she wasn't laboring over Snow White or Bambi or dealing with the ingrained chauvinism at the studio, she was breaking aviation records as the highest-flying woman on Earth. There's also Sylvia Holland and Ethel Kulsar, whose vision for Hans Christian Andersen's The Little Mermaid would find its way onto cinema screens nearly 50 years after they wrote its treatment; and Mary Blair, the visionary who became invaluable to Walt, creating the concept art for Cinderella, Alice in Wonderland, Peter Pan, and the Disneyland attraction It's a Small World. Though these women have long since passedHolt based her portrayals on correspondence, notes, photographs, journals, and interviews with family and friendsthe author's resurrection of this lost age is eminently readable and inspiring and will appeal to the many fans of Hidden Figures. Disney-philes will appreciate many of the rarely revealed stories, some of which are painfule.g., the stars of the racist-leaning Song of the South, among them Academy Award winner Hattie McDaniel, barred from their own premiere.A compelling story of women with talent, artistic vision, and spines of steel. Copyright Kirkus Reviews, used with permission.
Booklist Review
Disney's female artists and writers have finally been receiving long overdue recognition. Holt's heartfelt, deeply researched tome, however, is the first to truly highlight the sexism they experienced at the studio. Bianca Majolie, a school friend of Walt's and Disney's first female storyboard artist, brought depth and sensitivity to projects such as Snow White and Pinocchio despite being humiliated to tears by her male colleagues. Sylvia Holland literally had to scream at Walt Disney in order to get her name and those of two other women in the credits of Fantasia, even though the film's Nutcracker Suite episode was a female-led project. Mary Blair is one of Disney's most celebrated artists, but until now, few Disney aficionados would have known about her fraught marriage with Lee Blair, a fellow artist and abusive alcoholic, or her wonderful friendship with Retta Scott, Disney's first credited female animator. Using letters, interviews with family members, and archived documents, Holt captures the full scope of Disney history, from Snow White to Moana, through intimate portraits of the women who worked there. This groundbreaking work laments the discrimination these artists endured while celebrating the verve, creativity, and resiliency they drew on to bring beautiful art and three-dimensional characters to the big screen.--Biz Hyzy Copyright 2010 Booklist
Library Journal Review
Released in 1928, Walt Disney's cartoon Steamboat Willie perfected synchronicity between image and sound and encouraged Disney to continue his technological innovations with the founding of Walt Disney Studios. As a result, viewers were treated to feature-length films such as Snow White and the Seven Dwarfs, Pinocchio, and Cinderella--many of which would not have been possible without the work of female artists. Holt (Rise of the Rocket Girls; Cured: The People Who Defeated HIV) rectifies a serious wrong committed by authors of books on Disney and his studio as she tells the often-omitted stories of these enormously talented women: shy Bianca Majolie, creator of the cartoon short "Elmer Elephant"; daring and idealistic Grace Huntington, who pushed boundaries both as an animator and test pilot; and the grand dame of animators, Mary Blair, whose artistry mystified her male colleagues and earned her the respect of Disney. VERDICT This eye-opening and empowering title at last places in the spotlight many of the groundbreaking women who worked for Walt Disney Studios.--Leah Huey, Dekalb P.L., IL
