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Summary
Summary
They are two sworn enemies with a single obsession: a woman on the run from them both.
Scott Weiss is a private detective. John Foy is a professional killer. The woman is Julie Wyant, a hooker with the face of an angel.
Julie spent one night with Foy--a night of psychopathic cruelty that Foy called love. Desperate to get away from him, she vanished without a trace. And Foy wants her back.
There's only one man who can find her: Weiss, the best locate operative in the business. She's begged him not to look for her, fearing he'll bring the killer in his wake. But Weiss can't stay away.
Now, from a town called Paradise, through a wilderness that feels like hell, Weiss searches for Julie--and the killer follows, waiting for his chance.
They are two expert hunters matching move for move--until it ends on Damnation Street.
Author Notes
ANDREW KLAVAN is the author of the best-selling novels True Crime, filmed by Clint Eastwood, and Don't Say a Word, a film starring Michael Douglas. His work has been nominated for the Edgar Award five times and has won twice. He is a contributing editor at City Journal and his articles have appeared, among other places, in the Wall Street Journal , the New York Times, and the Los Angeles Times . He lives in Southern California with his wife Ellen. They have a daughter, Faith, and a son, Spencer.
Reviews (4)
Publisher's Weekly Review
Two-time Edgar winner Klavan again puts his own quirky spin on classic noir in his slam-bang third contemporary crime thriller to feature PIs Scott Weiss and Jim Bishop (after 2004's Shotgun Alley). Paunchy, moralistic Weiss, head of the Weiss Detective Agency in San Francisco, is still searching for bewitching prostitute Julie Wyant (aka Julie Angel), who's threatened by a relentless murderer the press has dubbed "the Shadowman." Weiss's nihilistic operative, Bishop, ignores all caution to help his boss. The terse, third-person narration occasionally switches to first person as Klavan, who claims to have worked for Weiss, inserts himself in the story, which he describes as a fictionalized memoir. While this authorial intrusion may interrupt the main action, it leads to some hilarious consequences. After drawing the reader in with a gripping plot and engrossing characters, Klavan produces a jolt at the end when he slyly reveals that... it's all fiction! 3-city author tour. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
Booklist Review
A haunted, hard-drinking PI. A whore with a heart of gold. A remorseless killer with a gift for disguise. Blood, rain, and long nights behind the wheel. It takes genuine talent to make these tropes feel fresh--and Klavan's got talent to burn. In the successor to Dynamite Road 0 (2003) and Shotgun Alley 0 (2004), shambling, intuitive Scott Weiss is trying to save Julie Wyant, a hooker he has never met, from the Shadowman, a psychopath intent on torturing her to death. Weiss hunts Julie knowing full well he is being followed, leading the killer to his prey in order to bring him into the open. It's a great plot device, creating a bizarrely symbiotic relationship between Weiss and the Shadowman. Adding to this book's pleasures is the way Klavan posits it as a fictionalized memoir, inserting himself into the story as a budding writer and wannabe tough guy. His youthful naivete casts Weiss' weary-souled musings on the dark side of human nature into even sharper relief. Damnation Street0 has it all: great characters, inventive plotting, darkness, light, horror, and humor, all fused into a relentless tale of suspense that will have readers in agony to know how the final shot is fired. --Keir Graff Copyright 2006 Booklist
Guardian Review
Scott Weiss is a private detective; John Foy, also known as the Shadowman, is a professional killer - and they are sworn enemies. But they have one thing in common: Julie Wyatt, a hooker with the face of an angel. Foy spent a night of excess and cruelty with her and now aberrantly thinks he is in love, but Julie has disappeared without a trace. Only Weiss - a middle-aged private eye with a damaging romantic streak and a talent for locating missing people - can help, even though Julie, with whom he is also totally obsessed, has begged him not to look for her. So the chase begins, the two men trying to outwit each other as they run to San Francisco and then across the Arizona badlands to Nevada, where the doomed trio finally meet up again, on Damnation Street. Klavan writes like a house on fire and this chase down a road to nowhere proves gripping. The sexual tension never relents, and nor does the violence. Strong stuff indeed. Caption: article-genre16.3 Scott Weiss is a private detective; John Foy, also known as the Shadowman, is a professional killer - and they are sworn enemies. But they have one thing in common: Julie Wyatt, a hooker with the face of an angel. - Maxim Jakubowski.
Kirkus Review
A private eye obsessed with rescuing a beautiful prostitute from a contract killer feels the hitman's breath over his shoulder as he tracks her down. When you take money for sex, you can't pick your lovers, and Julie Wyant is reminded of that after an encounter with John Foy, aka the Shadowman. After a single night as blissful for him as it is excruciating for her, he promises to return and make her his forever. So she hightails it out of San Francisco, pausing only long enough to beg Scott Weiss, peerless finder of lost souls, not to find her. Weiss soon learns that Julie's been unlucky with men since childhood. When she was 13, her father beat her mother to death and hid so successfully that the cops are still looking for him. Despite her plea, Weiss is certain that the only way he can protect her from the Shadowman is to find her first, even though he's equally certain the killer will be dogging his every move. Klavan counterpoints this game of cat-and-cat with the tales of Weiss operative Jim Bishop, a loose cannon who just can't stay out of trouble, and the anonymous narrator, a Weiss menial who's hired by a clueless Berkeley professor to spy on his daughter, Emma McNair, the girl the narrator left behind. Klavan's tenth (Man and Wife, 2001, etc.) is a violent, sentimental comic book without the drawings. Copyright ©Kirkus Reviews, used with permission.
Excerpts
Excerpts
1.Paradise was a crap town. With the summer tourists gone, the main street was deserted after nightfall. Trash rattled along the gutters, blown by the harbor wind. Darkened storefronts stared into the emptiness beyond the far sidewalk. Somewhere in that emptiness, the ocean waves crashed down and whispered away. Scott Weiss walked past the shops, heading for his hotel. He was a man in his fifties, a big man with a paunch. He had a sad, ugly face. Deep bags under world-weary eyes. A bulbous nose. Sagging cheeks. Unkempt salt-and-pepper hair. He wore a gray overcoat. He kept his hands in the pockets, his broad shoulders hunched. The shop windows reflected him as he went past them leaning into the wind. His hotel was the only hotel on the street. It was two stories, clapboard, yellow with white trim. It had white pillars holding up a balcony with a white rail. Weiss moved under the balcony to the front door. The door was glass. His reflection was there too. He looked into his own mournful eyes as he approached it. He pushed inside. The hotel lobby was paneled in oak, stained a deep brown. There was a fire in the large fireplace. There was a heavy oak reception counter in front of the managers office. There was no one behind the counter, no one anywhere in the lobby. The door to the office was closed. Weiss stood at the counter and rapped his knuckles on the wood. He waited. The office door opened and a woman came out. She was about forty, short and chesty, frazzled, blond. She was wearing yellow slacks and a purple turtleneck, a cheerfully loud combination. She hesitated when she saw Weiss. Something flickered in the look she gave him. Whatever it was, it passed. She came ahead to the counter, stood across from him. Chilly out there tonight, isnt it? she said. Her voice was toneless. She didnt look up at him. Two thirteen, she said, and turned to the cubbyholes on the wall behind her to fetch his key. Weiss had a knack for reading people. He could tell what they were thinking. He could often guess what they would do. Sometimes the smallest gesture could give him what he needed. Now, for instance, he could see that the woman behind the counter was scared. He took the room key from her pale fingers. The woman pressed her lips together. It looked like she wanted to say something, to tell him something, to warn him maybe about what was waiting for him upstairs. But how could she? How could she know who the good guys and bad guys were, what was safe, what wasnt? It was smarter for her to just keep her mouth shut. So thats what she did. Weiss smiled at her with one corner of his mouth. He wanted her to know it was all right. Good night, he said. The woman tried to answer, but it didnt come off. Weiss moved away from her. He walked to the wooden stairs. He felt the woman watching him as he went. The hotel windows knocked and rattled in the wind. He climbed heavily up to the second floor. He trudged along the second-floor gallery. H Excerpted from Damnation Street by Andrew Klavan All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.