Available:*
Library | Call Number | Status |
---|---|---|
Searching... Stillwater Public Library | J 921 CATLIN | Searching... Unknown |
Bound With These Titles
On Order
Summary
Summary
George Catlin is one of America's best-known painters, famous for his iconic portraits of Native Americans. He spent much of his life in the wilderness, sketching and painting as he traveled. A solo trek across 500 miles of uncharted prairie, an expedition to the Andes, harrowing encounters with grizzly bears and panthers, and tours of the royal palaces of Europe were among his many adventures. In an era when territorial expansion resulted in the near annihilation of many indigenous cultures, George Catlin dedicated himself to meeting and writing about the native peoples of the western hemisphere. With his "Indian Gallery" of paintings and artifacts, he toured the United States and Europe, stirring up controversy and creating a sensation.
Award-winning author Susanna Reich combines excerpts from Catlin's letters and notes with vivid depictions of his far-flung travels. Generously illustrated with archival prints and photos and Catlin's own magnificent paintings, here is a rollicking, accessible biography that weaves meticulously researched history into a fascinating frontier and jungle adventure story.
Author Notes
Susanna Reich is the author of Clara Schumann: Piano Virtuoso, which was named an ALA Notable Children's Book, a YALSA Best Book for Young Adults, a School Library Journal Best Book of the Year, and a Notable Social Studies Trade Book for Young People. She lives with her husband, author Gary Golio, in Ossining, New York. For more information please visit www.susannareich.com.
Reviews (3)
School Library Journal Review
Gr 5-8-Using primary sources, including Catlin's own diaries and letters, Reich helps readers understand the importance of the artist's work and to see him as a man in his own time. The personal documents expose both selfless and selfish sides of his character. At times, he was sensitive to the Native peoples and their cultures, but he also used them for his own gain. Readers also see the artist as a neglectful family man and less-than-successful businessman; however, above all, Catlin is seen as an adventurer. Many of his paintings illustrate the text and add to a sense of excitement. A few of the larger reproductions are in color, giving a clearer view of the artist's palette and style. Other period works are also included. All are well captioned with additional identification and information that ties in to the text. Quotations are carefully documented in chapter footnotes. The author's note explains her choice of terminology and spelling as well as her efforts to avoid cultural bias in writing this book. This is an excellent choice for libraries looking for good biographies, either for reports or pleasure reading.-Carolyn Janssen, Public Library of Cincinnati and Hamilton County, OH (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
With graceful writing and fascinating artwork, this well-designed biography explores the work and adventures of George Catlin. Best known for his many paintings of American Indians, Catlin traveled extensively in the American West and South America in the mid-1800s. He lived rough and encountered many dangers, some life-threatening. His own writing proves a fertile source of lively stories and quotations: He described being attacked by a jaguar that he was hunting, possibly for its tail, which he recommended for its "deliciousness of flavor." Reich places Catlin's life in the context of art history and provides an overview of the Indian tribes he encountered and their plights. The complex portrait of Catlin is even-handed; he hoped to champion the cause of Indians but also partly exploited them to make his living. While he created a remarkable historical record, his family suffered financially and by his prolonged absences. An author's note addresses the challenges of a white author's writing about Indians and the reliability of Catlin's writing. A handsome, well-documented volume. (timeline, endnotes, bibliography; map, index not seen) (Biography. 12 & up) Copyright ©Kirkus Reviews, used with permission.
Booklist Review
*Starred Review* Reich's own words ( As a white person writing about American Indians, I have tried to be respectful . . . but, like George, I cannot completely erase my cultural biases, no matter how hard I try, ) reflect the dominant theme of her handsome biography of nineteenth-century painter George Catlin, famous for his portraits of Native American life. Underlying the lucid, detailed discussion of the artist, which is illustrated with beautiful archival prints and photographs of his work, are the whites' conflicting views of Indian peoples, then and now especially the image of the noble savage. Quoting extensively from Catlin's letters and notes, Reich shows how he was driven to paint authentic cultural rituals and individuals, to champion the Indians'cause, and to record their rich, vanishing way of life in all its diversity. At the same time, she never denies that Catlin exploited his subjects, exhibiting the primitives, in the U.S. and abroad. There are long captions with the paintings, and the extensive back matter includes thorough chapter notes, a bibliography, and a time line. A great introduction to Catlin's work as well as an excellent title to use in social studies, history, and art classes.--Rochman, Hazel Copyright 2008 Booklist