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Library | Call Number | Status |
|---|---|---|
Searching... Hardwood Creek Library (Forest Lake) | 921 COOLIDGE | Searching... Unknown |
Searching... R.H. Stafford Library (Woodbury) | 921 COOLIDGE | Searching... Unknown |
Searching... Stillwater Public Library | 782.4216 COO | Searching... Unknown |
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Summary
Summary
The two-time Grammy Award-winning singer and songwriter bares her heart and soul in this intimate memoir, a story of music, stardom, love, family, heritage, and resilience.
She inspired songs--Leon Russell wrote "A Song for You" and "Delta Lady" for her, Stephen Stills wrote "Cherokee." She co-wrote songs--"Superstar" and the piano coda to "Layla," uncredited. She sang backup for Eric Clapton, Joe Cocker, and Stills, before finding fame as a solo artist with such hits as "We're All Alone" and "(Your Love Has Lifted Me) Higher and Higher." Following her story from Lafayette, Tennessee to becoming one of the most sought after rock vocalists in LA in the 1970s, Delta Lady chronicles Rita Coolidge's fascinating journey throughout the '60s-'70s pop/rock universe.
A muse to some of the twentieth century's most influential rock musicians, she broke hearts, and broke up bands. Her relationship with drummer Jim Gordon took a violent turn during the legendary 1970 Mad Dogs & Englishmen tour; David Crosby maintained that her triangle with Stills and Graham Nash was the last straw for the group. Her volatile six-year marriage to Kris Kristofferson yielded two Grammys, a daughter, and one of the Baby Boom generation's epic love stories. Throughout it all, her strength, resilience, and inner and outer beauty--along with her strong sense of heritage and devotion to her family--helped her to not only survive, but thrive. Co-written with best-selling author Michael Walker, Delta Lady is a rich, deeply personal memoir that offers a front row seat to an iconic era, and illuminates the life of an artist whose career has helped shape modern American culture.
Reviews (3)
Publisher's Weekly Review
In the golden years of pop-rock music of the 1960s and '70s, there were very few singers like the Grammy-winning Coolidge, whose memoir reads like a polite, lyrical confessional. She exhibits a deep understanding of human nature as she writes candidly of her loving family, especially her older singing sister, Priscilla, in the Jim Crow state of Tennessee. Upon graduating from Florida State in 1967, she moved to Memphis with Priscilla, who was starting her singing career in a racially mixed music scene with "a more driving Southern feel tinged with jazz and traditional R&B." The Klan burned a cross on their lawn following Priscilla's interracial marriage, and the 1968 killing of Martin Luther King Jr. shattered the Memphis scene; Coolidge fled to California. Once in L.A., she plunged into the music business, singing backup for Leon Russell, Eric Clapton, Joe Cocker, and Stephen Stills and striking gold with such hits as "We're All Alone" and "Higher and Higher." Coolidge's backstage stories of her sessions with Clapton and Cocker, the drug-fueled orgies of the infamous Mad Dog and Englishmen tour, and her romances with Graham Nash and Kris Kristofferson are authentic and intimate. Agent: Daniel Greenberg, Levine Greenberg Literary. (Apr.) © Copyright PWxyz, LLC. All rights reserved.
Booklist Review
Coolidge, the acclaimed singer/songwriter, takes us through her life and career in this new autobiography. You can't talk about Coolidge without talking about the music scene in the 1960s and 70s, the period during which the author found her voice and had her first success. Coolidge tells both stories here, the personal saga of a young woman who was driven to sing and the account of a time in which pop music itself was finding a new version of itself. Coolidge speaks openly about her personal and professional relationships (sometimes both were with the same person, as with her complicated relationship with Kris Kristofferson), but readers thumbing through the book looking for dirt or juicy stories will come up mostly empty: this is a positive, uplifting life story, one which ends with its author thanking God and appearing genuinely to mean it. For Coolidge's legion of fans, this is a must-read.--Pitt, David Copyright 2016 Booklist
Library Journal Review
Singer/songwriter Coolidge ("Anytime.Anywhere"), with best-selling author Walker (Laurel Canyon: The Inside Story of Rock-and-Roll's Legendary Neighborhood), candidly relates the story of growing up part-Cherokee in Kentucky and Tennessee during the 1940s and 1950s. Born to a Baptist minister father and schoolteacher mother, Coolidge sang harmony from an early age with her sisters in church. Listening to recordings of Robert Johnson, Muddy Waters, Mississippi John Hurt, and Bob Dylan helped her hone her songwriting craft. Along the way her musical style was influenced by Delaney and Bonnie and their Southern R&B and rock and roll sound. There were relationships with Leon Russell, Graham Nash, and the love of her life and father of her daughter, Kris -Kristofferson. She endured a bad trip on acid and never tried it again. Coolidge recounts her career highlights to include participating in the "Mad Dogs & Englishmen" tour with Joe Cocker in 1970, singing backup vocals on Stephen Stills's "Love the One You're With," and producing her signature duet with Kristofferson, "Help Me Make It Through the Night." VERDICT This title will appeal to fans of the 1960s folk and light rock period. They may also enjoy Walker's Laurel Canyon.-Elizabeth D. Eisen, Appleton P.L., WI © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Table of Contents
| Prologue | p. 1 |
| 1 Growing Up | p. 9 |
| 2 Memphis | p. 29 |
| 3 Delaney & Bonnie and Friends | p. 59 |
| 4 Mad Dogs & Englishmen | p. 81 |
| 5 Love the One You're With | p. 99 |
| 6 Layla | p. 119 |
| 7 Kris | p. 137 |
| 8 Malibu | p. 153 |
| 9 Anytime... Anywhere | p. 179 |
| 10 Leaving While You're Still in Love, and Other Assorted Revelations | p. 195 |
| Epilogue | p. 211 |
| Acknowledgments | p. 221 |
| Photographic Sources | p. 227 |
