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Summary
Summary
The Lost Memoirs of Jane Austen
Reviews (3)
Publisher's Weekly Review
James speculates in her easy-reading debut on a romance between Austen and a landed British gentleman. The prologue presents the narrative as a long-lost journal Austen kept between 1815 and 1817, recently discovered during a renovation at Chawton Manor House and annotated by Oxford University Austen scholar Mary I. Jesse, whose footnotes appear throughout. The first-person account describes how Mr. Ashford, the son of a baronet, saves the spinster writer from a climbing accident after her father's death. The two meet again in Southampton, and Mr. Ashford encourages Austen to fulfill her dream of becoming a "renowned novelist" and even supplies the name of "Dashwood" when she is working on Sense and Sensibility. Austen and Mr. Ashford seem a perfect match in matters of head and heart (both have read Wordsworth, Walter Scott and Dr. Samuel Johnson), but James portrays them as doomed lovers, and though she hews closely to the historic record, she creates a modicum of will-they-or-won't-they suspense that culminates with a proposal and an "intensely" kissed Austen. It's a pleasant addition to the ever-expanding Austen-revisited genre. (Dec.) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus Review
A worthy attempt to augment Jane Austen's love life. Austen's short life is well documented by her surviving letters--except for the period 1809 through 1812, which preceded publication of her first novel, Sense and Sensibility. James re-imagines this time in the form of a "lost memoir" discovered in an attic chest, along with a gold-and-ruby ring. The "missing years" are emotionally and financially fraught for Jane. There's her first marriage proposal, from boorish, stammering Harris, the son and heir to the Bigg-Wither country estate. She accepts, seeing a means of procuring her mother's and sisters' security, but reneges the next day. Upon her father's death, Jane and the other distaff Austens must vacate their family home. The women, dependent on male relatives, now exist on the fringes of genteel respectability. While traveling with her brother Henry, Jane meets Frederick Ashford, son of a baronet and heir to a huge fortune, with a stately home to match. Jane and winsome 34-year-old Frederick share a love of literature, a proclivity for intellectual discourse and a sense of humor. Dare she hope that he finds her enthralling despite her limited wardrobe, relatively plain face and age verging on intractable spinsterhood--32? She dares. He's called away suddenly, but the two meet again for a three-week idyll of diffident courtship. He's on the verge of a declaration when meddlesome friends interrupt. Later, Jane learns, to her horror, that Frederick is engaged to a 17-year-old heiress, Isabella. Why did he allow Jane to cherish false hopes? She staunchly refuses his letters. Finally, Frederick confronts Jane at a London society party and reveals that his engagement was parentally dictated. There's hope--Isabella wants out. Suspense builds, and it's a tribute to the world James creates that readers will anxiously root for Jane to find true love and wealth even though we know it never happened. Deserves front-runner status in the saturated field of Austen fan-fiction and film. Copyright ©Kirkus Reviews, used with permission.
Library Journal Review
Living at Hartfield, her Surrey home, Emma Woodhouse is an inveterate matchmaker. Her latest project is Harriet Smith, a school friend of the Misses Martin, the tenants of Mr. Knightley, the local magistrate and owner of Donwell Abbey estate. Living on neighboring property, Knightley has known Emma her whole life, and now Knightley's brother, John, has married Emma's sister, Isabelle. But he cannot fathom Emma's obtuseness as she tries to maneuver Harriet into the position of wife of the vicar, Mr. Elton, never noticing that Elton has eyes only for Emma herself. Knightley's diary entries reveal the daily life of a rural village, with its personages, activities, social strata, and local color. His first-person commentary puts him at the center of the action in this charming reframing of Jane Austen's Emma, and knowing the outcome of the story doesn't lessen the romantic tension and expectation for the reader. Grange (Mr. Darcy's Diary) hits the Regency language and tone on the head. Recommended for all public libraries. [To enhance the Austen aura, a new musical of Emma, written by Jane Eyre composer Paul Gordon, is having its world premiere at the Mountain View Center for the Performing Arts, CA, from August 22 to September 16.-Ed.] After nearly two centuries of speculation, a hidden memoir by the adored Austen reveals the existence of a romance that was most likely fodder for her novels and the basis for her romantic heroes. Or so novelist James, also a screenwriter, would have us believe. Following the death of her father, Jane and her mother and her sister are relegated to the position of "poor relations," staying intermittently with her brothers and their families. On a trip to Lyme with her brother Henry, Jane meets Mr. Frederick Ashford, heir to Pembroke Hall in Derby. There is an instant connection, but their acquaintance is cut short when he is suddenly called home. It is quite some time before they meet again, in Southampton, where Jane is now living. And for three weeks, the pair are inseparable, leaving the spinsterish Jane with hopes of marriage to someone who appreciates and encourages her writing. Things don't go as expected, and once again Jane is left hurt and disillusioned. But her feelings roil within her and feed into her characters. This fascinating novel will make readers swear there was such a man as Mr. Ashford and that there is such a memoir. The text includes footnotes and even an editor's foreword and afterword, though, in truth, there is no editor. Tantalizing, tender, and true to the Austen mythos, James's book is highly recommended. [For a profile of James, see "Editors' Fall Picks," p. 32-38; see also www.libraryjournal.com for a roundup of recent Austenish titles.-Ed.]-Bette-Lee Fox, Library Journal (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
The Lost Memoirs of Jane Austen Chapter One Why I feel the sudden urge to relate, in pen and ink, a relationship of the most personal nature, which I have never before acknowledged, I cannot say. Perhaps it is this maddening illness which has been troubling me now and again of late--this cunning reminder of my own mortality--that compels me to make some record of what happened, to prevent that memory from vanishing into the recesses of my mind, and from there to disappear for ever from history, as fleeting as a ghost in the mist. Whatever the reason, I find that I must write it all down; for there may, I think, be speculation when I am gone. People may read what I have written, and wonder: how could this spinster , this woman who, to all appearances, never even courted --who never felt that wondrous connection of mind and spirit between a man and woman, which, inspired by friendship and affection, blooms into something deeper--how could she have had the temerity to write about the revered institutions of love and courtship, having never experienced them herself? To those few friends and relations who, upon learning of my authorship, have dared to pose a similar question (although, I must admit, in a rather more genteel turn of phrase), I have given the self-same reply: "Is it not conceivable that an active mind and an observant eye and ear, combined with a vivid imagination, might produce a literary work of some merit and amusement, which may, in turn, evoke sentiments and feelings which resemble life itself?" There is much truth in this observation. But there are many levels of veracity, are there not, between that truth which we reveal publicly and that which we silently acknowledge, in the privacy of our own thoughts, and perhaps to one or two of our most intimate acquaintances? I did attempt to write of love--first, in jest, as a girl; then in a more serious vein, in my early twenties, though I had known only young love then; 1 in consequence, those early works were of only passing merit. It was only years later that I met the man who would come to inspire the true depth of that emotion, and who would reawaken my voice, which had long lain dormant. Of this gentleman--the one, true, great love in my life--I have, for good reason, vowed never to speak; indeed, it was agreed amongst the few close members of my family who knew him, that it was best for all concerned to keep the facts of that affair strictly to ourselves. In consequence, I have relegated my thoughts of him to the farthest reaches of my heart; banished for ever--but not forgotten. No, never forgotten. For how can one forget that which has become a part of one's very soul? Every word, every thought, every look and feeling that passed between us, is as fresh in my mind now, years later, as if it had occurred only yesterday. The tale must be told; a tale which will explain all the others. But I get ahead of myself. It is a truth (I believe, universally acknowledged) that, with few exceptions, the introduction of the hero in a love-story should never take place in the first chapter, but should, ideally, be deferred to the third; that a brief foundation should initially be laid, acquainting the reader with the principal persons, places, circumstances and emotional content of the story, so as to allow a greater appreciation for the proceedings as they unfold. Therefore, before we meet the gentleman in question, I must go further back to relate two events which occurred some years earlier--both of which altered my life, suddenly and irrevocably, in a most dreadful and painful way. In December 1800, shortly before the twenty-fifth anniversary of my birth, I had been away, visiting my dear friend Martha Lloyd. Upon returning home, my mother startled me by announcing, "Well, Jane, it is all settled! We have decided to leave Steventon behind us for good, and go to Bath." "Leave Steventon?" I stared at her in disbelief. "You cannot mean it." "Oh, but I do," said my mother as she bustled happily about the small parlour, pausing to study the pictures on the wall with a look of fond farewell, as if making peace with the thought of leaving them all behind. "Your father and I talked it over while you were gone. He will be seventy in May. It is high time he retired, after nearly forty years as the rector of this parish, not to mention Deane. 2 Giving up the post, you know, means giving up the house, but your brother James will benefit by it, as it will go to him; and as your father has always longed to travel, we thought, what better time than the present? Let us go, while we still have our health! But where we should go, that was a matter of great debate, and we have at last come to conclusion that it should be Bath!" My head began to swim; my legs crumpled under me, and I sank heavily into the nearest chair, wishing that my beloved sister was there to share the burden of this distressing news. Cassandra, who is three years older than I, and far more beautiful, is possessed of a calm and gentle disposition; I can always depend on her to rally my spirits in even the worst of situations. But she was away at the time, visiting our brother Edward and his family in Kent. "Jane!" I heard my mother cry. "Why, I believe the poor girl has fainted. Mr. Austen! Do come help! Where are the smelling-salts?" I had been born at Steventon, and had passed all the happy days of my life there. I could no more imagine leaving that beloved place than I could sprout wings and fly. I loved the trellised front porch of the parsonage house, the perfectly balanced arrangement of sash windows in its flat front façade, and the unadorned, white-washed walls and open-beam ceilings within. I had grown to cherish every elm, chestnut and fir which towered above its roof, and every plant and shrub in the back garden, where I strolled almost daily along the turf walk, bordered by strawberry beds. The Lost Memoirs of Jane Austen . Copyright © by Syrie James. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
