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Bound With These Titles
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Summary
Summary
California private investigator Kinsey Millhone is hired to solve a decades-old cold case in this "undeniably entertaining" ( Los Angeles Times ) #1 New York Times bestseller from Sue Grafton.
Cases don't get much colder than that of Violet Sullivan, who disappeared from her rural California town in 1953, leaving behind an abusive husband and a seven-year-old named Daisy. But PI Kinsey Millhone has promised the now adult Daisy she'll try her best to locate Violet, dead or alive. All signs point to a runaway wife--the clothes that disappeared; the secret stash of money Violet bragged about; the brazen flirtations she indulged in with local men, including some married ones.
Kinsey tries to pick up a trail by speaking to those who remember Violet--and perhaps were more involved in her life than they let on. But the trail could lead her somewhere very dangerous. Because the case may have gone cold, but some people's feelings about Violet Sullivan still run as hot as ever...
Author Notes
Sue Grafton was born in Louisville, Kentucky on April 24, 1940. She received a bachelor's degree in English literature from the University of Louisville in 1961. Her first novel Keziah Dane was published in 1967. Her second novel, The Lolly-Madonna War, was published in 1969 and she adapted it into a screenplay. After that movie was released in 1973, she worked intermittently writing for television. A series she created, Nurse, ran for two seasons on CBS in the early 1980s.
Her writing career took off when A Is for Alibi was published in 1982 and received the Mysterious Stranger Award. This was the beginning of the Kinsey Millhone Mystery series. B Is for Burglar won the Shamus and Anthony Awards and C Is for Corpse won the Anthony Award. She also received the Cartier Diamond Dagger, the Mystery Writers of America Grand Master Award, a Lifetime Achievement Award from Bouchercon, and the Ross Macdonald Literary Award. She died from cancer on December 28, 2017 at the age of 77.
(Bowker Author Biography)
Reviews (4)
Publisher's Weekly Review
Kinsey Millhone has kept her appeal by being distinctive and sympathetic without craving center stage. While some mysteries that provide the PI's shoe size or most despised food create a forced and intrusive intimacy, a master like Grafton makes the relationship relaxed and reassuring. Millhone's life is modest and familiar, though her love life, now featuring police detective Cheney Phillips, tends to be oddly remote. This 19th entry (after 2004's R Is for Ricochet) adopts a new convention: Millhone's customary intelligent and occasionally self-deprecating first-person reportage is interrupted by vignettes from the days surrounding the Fourth of July, 34 years earlier, when a hot-blooded young woman named Violet Sullivan disappeared. Violet's daughter, Daisy, who was seven at the time, hires Millhone to discover her mother's true fate. Violet had toyed with every man in town at one time or another, so there's no shortage of scandalous secrets and possible suspects. Constant revelations concerning several absorbing characters allow a terrific tension to build. However, the utterly illogical and oddly abrupt ending undermines what is otherwise one of the stronger offerings in this iconic series. One million first printing; Literary Guild, BOMC and Mystery Guild main selection. (Dec.) (c) Copyright PWxyz, LLC. All rights reserved
Booklist Review
Grafton's determined march through the criminal alphabet puts readers within striking distance of the end, a destination no Grafton fan wants to reach. The latest in the lexicon should really be C Is for Cold Case0 , since it involves a disappearance that took place nearly 35 years in the past. (Although the alphabet keeps progressing, Grafton's heroine, Kinsey Millhone, is still in her late 30s and, given her high-fat eating habits, probably wouldn't have survived to be a sleuth in her 60s.) The daughter of a really neglectful mother (who could have starred in I Is for Issues0 ) has been haunted by her mother's disappearance from a Fourth of July celebration when the daughter was only three years old. Part of the intrigue from this case comes from Grafton's sensitive portrayal of the psychological consequences of neglect. Boldly departing from the conventions of victim fiction, Grafton portrays the daughter as sniveling and annoying as well as desperate. Millhone doesn't have much hope for the case but starts digging (it's fascinating in itself to see how Millhone flounders and flounders until she finds a crack in the case). Grafton juxtaposes flashbacks to 1953, when the mother disappeared, with the current investigation, giving different points of view on the woman. Although she gives us a bit too much of Millhone's eating and living habits (probably in response to fan enthusiasm), this novel also presents strong character portrayals, a mosaic of motives, and a stunning climax. --Connie Fletcher Copyright 2005 Booklist
Kirkus Review
Kinsey Millhone (R Is for Ricochet, 2004, etc.) is pulled into the ancient case of the bad-girl wife and mother who ran off without her man and without a trace. On the evening of July 4, 1953, Violet Sullivan celebrated her independence by blowing a kiss to her daughter Daisy, 7, and her babysitter, Liza Mellincamp, and driving off in the new Chevrolet Bel Air that her alcoholic, frequently abusive husband Foley had just bought her. Ever since that day, Daisy has never been able to trust anyone or to put her life back together. Now, 34 years later, she and her friend Tannie Ottweiler ask Kinsey to track down Violet and her car. Wanting to ensure that she won't drag out what seems like a hopeless case, Kinsey agrees to limit her investigation to five days. But it takes her only four days of chatting up Violet's friends and enemies in Serena Station--her ex-landlord Tom Padgett, Liza and her childhood buddy Kathy Cramer, Kathy's car-dealer father Chet and his salesman Winston Smith, Tannie's father Jake--to find out what happened to Violet. Given the passions Daisy's mother stirred among everyone who crossed her path, it's quite a tribute to Kinsey that she needs only that fifth day to wrap the case up tight. Score another triumph for Kinsey. Grafton brings every corner of Serena Station, past and present, more deeply alive than your own hometown. Copyright ©Kirkus Reviews, used with permission.
Library Journal Review
On July 4, 1953, small-town wife and mother Violet Sullivan disappears without a trace. Did she leave her abusive husband and young daughter behind, never to contact them again, or did a secret (or not-so-secret) lover do her in? Fast-forward to the 1980s: Daisy, the missing woman's now grown daughter, enlists Kinsey Milhone (R Is for Ricochet) to resolve her mother's disappearance. Although this is the 19th entry of her popular alphabet series, Grafton has struck on another fresh tack, alternating between Kinsey's current investigation and the days leading up to Violet's disappearance as told by the people who knew her. The climax that results when the two narratives converge will leave readers breathlessly awaiting the next installment. Essential for all collections. [See Prepub Mystery, LJ 8/05.]-Andrea Young Griffth, Loma Linda Univ. Lib., CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
1 LIZA Saturday, July 4, 1953 When Liza Mellincamp thinks about the last time she ever saw Violet Sullivan, what comes most vividly to mind is the color of Violet's Japanese silk kimono, a shade of blue that Liza later learned was called "cerulean," a word that wasn't even in her vocabulary when she was fourteen years old. A dragon was embroidered in satin-stitch across the back, its strange dog-shaped face and arched body picked out in lime green and orange. Flames twisted from the dragon's mouth in curling ribbons of blood red. That last night, she'd arrived at the Sullivans' house at 6:00. Violet was going out at 6:15 and, as usual, she wasn't dressed and hadn't done her hair. The front door was open and as Liza approached, Baby, Violet's three-month-old buff-colored Pomeranian, started yapping in a shrill little doggy voice while she pawed at the screen, punching holes here and there. She had tiny black eyes and a black button nose and a small pink bow affixed to her forehead with stickum of some kind. Someone had given Violet the dog less than a month before, and she'd developed a fierce attachment to it, carrying the dog around in a big straw tote. Liza disliked Baby, and twice when Violet left the dog behind, Liza put her in the coat closet so she wouldn't have to listen to her bark. She'd gotten the idea from Foley, who disliked the dog even more than she did. Liza knocked on the door frame, a sound barely audible above the dog's yap-yap-yap . Violet called out, "Come on in. I'm in the bedroom!" Liza opened the screen door, pushed the dog aside with her foot, and walked through the living room to the bedroom Violet and Foley shared. Liza knew for a fact that Foley often ended up sleeping on the couch, especially when he'd been drinking, which he did almost every day, and even more especially after he'd busted Violet in the chops and she'd stopped speaking to him for two days or however long it was. Foley hated it when she gave him the silent treatment, but by then he'd be sorry he'd slugged her and he wouldn't have the nerve to protest. He told anyone who would listen that she brought it on herself. Anything bad that happened to Foley was someone else's fault. Baby pattered into the bedroom behind her, a fluff ball of nervous energy with a party favor of a tail. She was too small to jump up onto the bed, so Liza scooped her up and put her there. Violet's tow-headed daughter, Daisy, was lying on the bed reading the Little Lulu comic Liza had given her the last time she sat, which was the night before last. Daisy was like a cat-always in the room with you but busy pretending to be doing something else. Liza took a seat on the only chair in the room. Earlier in the day when she'd stopped by, there had been two brown paper bags sitting on the chair. Violet said it was stuff going to the Goodwill, but Liza recognized a couple of Violet's favorite things and thought it was odd that she'd give away her best clothes. Now the brown bags were gone and Liza knew better than to mention them. Violet didn't like questions. What she wanted you to know, she'd tell you outright, and the rest was none of your business. "Isn't she adorable?" Violet said. She was talking about the dog, not her seven-year-old child. Liza didn't comment. She was wondering how long it would take to suffocate the Pomeranian while Violet was out. Violet was sitting on the bench at her makeup table, wearing the bright blue kimono with the dragon across the back. As Liza watched, Violet loosened the tie and shrugged the wrap aside so she could examine a bruise the size of Foley's fist that sat above one breast. Liza could see three versions of the bruise reflected in the trifold mirror that rested on the vanity. Violet was small and her back was perfect, her spine straight, her skin flawless. Her buttocks were dimpled and ever so slightly splayed where they pressed down against the seat. Violet wasn't at all self-conscious about Liza seeing her undressed. Often when Liza came to sit, Violet would emerge from the bathroom naked, having dropped the towel so she could dab behind her knees with the violet cologne she used. Liza would try to keep her gaze averted while Violet strolled around the bedroom, pausing to light an Old Gold that she'd leave on the lip of the ashtray. Liza's gaze was irresistibly drawn to the sight of Violet's body. No matter where Violet went, eyes were drawn to her. Her waist was small and her breasts were plump, drooping slightly like sacks filled nearly to capacity with sand. Liza's boobs were barely sufficient for her AA brassiere, though Ty would close his eyes and start breathing hard every time he felt her up. After they kissed for a while, even if she resisted, he'd find a way to unbutton her shirt, nudging aside her bra strap so he could cup a budding breast in his palm. Then he'd grab Liza's hand and press it between his legs, making a sound somewhere between a whimper and a moan. In her church youth group, the pastor's wife often lectured the girls about heavy petting, which was not recommended, as it was the quickest road to sexual intercourse and other forms of loose behavior. Oh, well. Liza's best friend, Kathy, was currently taken up with the Moral Rearmament Movement, which preached Absolute Honesty, Absolute Purity, Absolute Unselfishness, and Absolute Love. The last was the one that appealed to Liza. She and Ty had started dating in April, though their contact was limited. He couldn't let his aunt hear about it because of things that happened at his last school. She'd never been kissed before, had never done any of the things Ty introduced her to in their times together. Of course, she'd drawn the line at going all the way, but she couldn't see the harm in Ty fooling with her boobs if it made him feel good. This was exactly Violet's point of view. When Liza finally confessed what was going on, Violet said, "Oh please, Sweetie, what's it to you? Let him have his fun. He's a good-looking boy, and if you don't give in to him some other girl will." Violet's hair was dyed an astonishing shade of red, more orange than red and not even intended to look real. Her eyes were a clear green, and the lipstick she wore was a pinky rose shade. Violet's lips formed two wide bands across her mouth, as flat as the selvage on a remnant of silk. Her pale skin had an undertone of gold, like fine paper in a book printed long ago. Liza's complexion was freckled, and she tended to break out at "that time of the month." While Violet's hair was as silky as an ad for Breck shampoo, Liza's ends were crinkled and split from a miscalculation with the Toni Home Permanent Kathy'd given her the week before. Kathy had read the directions wrong and fried Liza's hair to a fare-thee-well. The strands still smelled like spoiled eggs from the lotions she'd applied. Violet liked going out, and Liza babysat Daisy three and four times a week. Foley was gone most nights, drinking beer at the Blue Moon, which was the only bar in town. He worked construction, and at the end of the day, he needed to "wet his whistle" was how he put it. He said he wasn't about to stay home babysitting Daisy, and Violet certainly had no intention of sitting around the house with her while Foley was out having fun. During the school year, Liza ended up doing her homework at the Sullivans' after Daisy was in bed. Sometimes Ty came to visit, or Kathy might spend the evening so the two could read movie magazines. True Confession magazine was preferable, but Kathy was worried about impure thoughts. Violet smiled at Liza, their eyes connecting in the mirror until Liza looked away. (Violet preferred to smile with her lips closed because one of her front teeth was chipped where Foley'd knocked her sideways into a door.) Violet liked her. Liza knew this and it made her feel warm. Being favored by Violet was enough to make Liza trot around behind her like a stray pup. Breast inspection complete, Violet shrugged herself back into the kimono and tied it at the waist. She took a deep drag of her cigarette, then rested it in the ashtray so she could finish putting on her face. "How's that boyfriend of yours?" "Fine." "You be careful. You know he's not supposed to date." "I know. He told me and that is so unfair." "Unfair or not, his aunt would have a fit if she knew he was going steady, especially with someone like you." "Gee, thanks. What'd I do to her?" "She thinks you're a bad influence because your mother's divorced." "She told you that?" "More or less," Violet said. "I ran into her at the market and she tried to pump me for information. Someone saw you with Ty and ran blabbing straight to her. Don't ask who tattled because she was very tight-lipped. I told her she was nuts. I was polite about it, but I made sure she got the point. In the first place, I said your mother wouldn't let you date at your age. You're barely fourteen...how ridiculous, I said. And in the second place, you couldn't be seeing Ty because you spent all your spare time with me. She seemed satisfied with that, though I'm sure she doesn't like me any better than she likes you. Guess we're not good enough for her or her precious nephew. She got all pruney around the mouth and went on to say that at his last school, some girl got herself in trouble, if you get my drift." "I know. He told me he felt sorry for her." "So he did her the big favor of screwing her. Wasn't she the lucky one?" "Well, it's over now anyway." "I'll say. Take it from me, you can't trust a guy who's hellbent on getting in your pants." "Even if he loves you?" "Especially if he loves you, and worse if you love him." Violet picked up a wand of mascara and began to sweep her lashes, leaning into the mirror so she could see what she was doing. "I've got Cokes for you in the fridge and a carton of vanilla ice cream if you and Daisy want some." "Thanks." She recapped the wand and used a hand to fan her face, drying the dramatic fringe of black goo. She opened her jewelry box and selected six bracelets, thin silver circles that she slipped over her right hand one by one. She shook her wrist so they jingled together like tiny bells. On her left wrist she fastened her watch with its narrow black-cord band. Barefoot, she got up and crossed to the closet. There was very little evidence of Foley in the room. He kept his clothes jammed in a pressed-board armoire shoved in one corner of Daisy's room, and as Violet was fond of saying, "If he knows what's good for him, he better not complain." Liza watched while she hung the kimono on a hook on the inside of the closet door. She was wearing sheer white nylon underpants but hadn't bothered with a bra. She slipped her feet into a pair of sandals and leaned down to fix the straps, her breasts bobbling as she did. Then she pulled on a lavender-and-white polka-dot sundress that zipped up the back. Liza had to help her with that. The dress fit snugly, and if Violet was aware that her nipples showed as flat as coins she made no remark. Liza was self-conscious about her figure, which had begun developing when she was twelve. She wore loose cotton blouses-usually Ship'n Shore-mindful that her bra and slip straps sometimes showed through the fabric. She found this embarrassing around the boys at school. Ty was seventeen and, having transferred from another school, didn't act stupid the way the others did, with their mouth farts and rude gestures, fists pumping at the front of their pants. Liza said, "What time are the fireworks?" Violet reapplied her lipstick and then rubbed her lips together to even out the color. She recapped the tube. Whenever it gets dark. I'm guessing nine," she said. She leaned forward, blotted her lipstick with a tissue, and then used an index finger to clean a line of color from her teeth. "Are you and Foley coming home right afterward?" "Nah, we'll probably stop by the Moon." Liza wasn't sure why she'd bothered to ask. It was always like that. They'd get home at 2:00 A.M. Liza, dazed and groggy, would collect her four dollars and then walk home through the dark. Violet took the bulk of her hair, twisted it, and held it high on her head, showing the effect. "What do you think? Up or down? It's still hotter than blue blazes." "Down's better." Violet smiled. "Vanity over comfort. Glad I taught you something." She dropped her hair, shaking it out so the weight of it went swinging across her back. That was the sequence Liza remembered-beginning, middle, and end. It was like a short loop of film that ran over and over. Daisy reading her comic book, Violet naked, and then being zipped into the polka-dot sundress. Violet lifting her bright red hair and then shaking it out. The thought of Ty Eddings was wedged in there somewhere because of what happened later. The only other brief moment that stayed with her was a time jump of maybe twenty minutes. Liza was in the cramped, not-quite-clean bathroom with its moldy-smelling towels. Daisy, her fine blond hair caught up in a barrette, was taking her bath. She was sitting in a cloud of bubbles, scooping them up and draping them across her shoulders like a fine fur coat. Once Liza had Daisy bathed and in her baby doll pajamas, she'd give her the pill Violet left for her whenever she went out. The air in the bathroom was damp and warm, and smelled like the pine-scented bubble bath Liza had squirted into the rush of running water. Liza was sitting on the toilet with the lid down, watching to make sure Daisy didn't do something dumb, like drown or get soap in her eyes. Liza was already bored because babysitting was tedious once Violet left the house. She did it only because Violet asked, and who could turn her down? The Sullivans didn't have a television set. The Cramers were the only family in town who owned one. Liza and Kathy watched TV almost every afternoon, though lately Kathy had been sulky, in part because of Ty and in part because of Violet. If Kathy had her way, she and Liza would spend every waking minute together. Kathy had been fun at first, but now Liza felt like she was suffocating. As Liza leaned over and swished a hand in the bathwater, Violet opened the door and stuck her head in, holding Baby in her arms. The dog yapped at them, bright-eyed and happy in a braggy sort of way. Violet said, "Hey, Lies, I'm off. See you kids later." Violet liked to call her "Lies," a shortened form of "Liza" but spelled differently, or at least as Liza pictured it. Daisy tilted her face up, puckering her lips. "Kiss!" Violet said, "Kiss, kiss from here, Honeybunch. This lipstick's fresh and Mama doesn't want it messed up. You be good now and do everything Liza says." Violet blew Daisy a kiss. She pretended to catch it and then blew it back, her eyes shining at the sight of her mother, who was looking radiant. Liza waved, and as the door closed, a waft of violet cologne entered the room on a wisp of chill air. --from S Is For Silence by Sue Grafton, Copyright © 2005 Sue Grafton, published by G. P. Putnam's Sons, a member of Penguin Group (USA) Inc., all rights reserved, reprinted with permission from the publisher" Excerpted from S Is for Silence by Sue Grafton All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
