Available:*
Library | Call Number | Status |
|---|---|---|
Searching... Bayport Public Library | EASY WOO | Searching... Unknown |
Searching... Hardwood Creek Library (Forest Lake) | EASY WOO | Searching... Unknown |
Searching... Park Grove Library (Cottage Grove) | EASY WOO | Searching... Unknown |
Searching... R.H. Stafford Library (Woodbury) | EASY WOO | Searching... Unknown |
Bound With These Titles
On Order
Summary
Summary
Winner of a Newbery Honor!
Soonie's great-grandma was just seven years old when she was sold to a big plantation without her ma and pa, and with only some fabric and needles to call her own. She pieced together bright patches with names like North Star and Crossroads, patches with secret meanings made into quilts called Show Ways -- maps for slaves to follow to freedom. When she grew up and had a little girl, she passed on this knowledge. And generations later, Soonie -- who was born free -- taught her own daughter how to sew beautiful quilts to be sold at market and how to read.
From slavery to freedom, through segregation, freedom marches and the fight for literacy, the tradition they called Show Way has been passed down by the women in Jacqueline Woodson's family as a way to remember the past and celebrate the possibilities of the future. Beautifully rendered in Hudson Talbott's luminous art, this moving, lyrical account pays tribute to women whose strength and knowledge illuminate their daughters' lives.
Author Notes
Jacqueline Woodson was born in Columbus, Ohio on February 12, 1963. She received a B.A. in English from Adelphi University in 1985. Before becoming a full-time writer, she worked as a drama therapist for runaways and homeless children in New York City. Her books include The House You Pass on the Way, I Hadn't Meant to Tell You This, Lena, and The Day You Begin. She won the Coretta Scott King Award in 2001 for Miracle's Boys. After Tupac and D Foster, Feathers, and Show Way won Newbery Honors. Brown Girl Dreaming won the E. B. White Read-Aloud Award in 2015. Her other awards include the Margaret A. Edwards Award for lifetime achievement in writing for young adults, the Los Angeles Times Book Prize, and the 2018 Astrid Lindgren Memorial Award. She was also selected as the Young People's Poet Laureate in 2015 by the Poetry Foundation.
(Bowker Author Biography)
Reviews (5)
Publisher's Weekly Review
This affecting, poetic paper-over-board picture book stands out from the first glance. On the innovative cover, a montage of black-and-white pictures of African-American captives, arranged to resemble a quilt, act as a background to a diamond-shaped die-cut opening that frames the image of an African-American girl holding a lighted candle. Woodson's (Coming on Home Soon) story, both historical and deeply personal, begins as a seven-year-old girl is sold into slavery and taken to a South Carolina plantation "without her ma or pa but with some muslin her ma had given her." There she learns to "sew colored thread into stars and moons and roads that slave children grew up and followed late in the night, a piece of quilt and the true moon leading them." Later, her daughter also stitches quilts that become "a Show Way" to guide captives escaping to freedom. The quilt becomes a metaphor not only for physical freedom but for freedom of expression. Long after emancipation, subsequent generations of women in this family stay connected through quilting, using needle and thread as a means of support and as a creative outlet. Woodson eventually reveals that this is her own lineage, and "[her] words became books that told the stories of many people's Show Ways." Talbott uses the quilt motif in rousing ways, piecing together quotes or news items for a pair of spreads about one generation "walking in a line to change the laws" as well as in softly quilted patterns that tie together the love of a child, a theme throughout this elegantly designed volume. Ages 5-up. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
Horn Book Review
(Primary, Intermediate) Woodson traces eight generations in her family, from ""Soonie's great-grandma,"" sold at seven, to Woodson's own little daughter, Soonie's great-great-granddaughter. The earliest in this female line, born into slavery, have skills and creativity that will serve their descendants well. Leaving her native Virginia, that first child takes with her needles, thread, and a bit of muslin; her daughter Mathis May is already an accomplished seamstress when she, too, is sold from her family at seven. The patterns of her ""Show Way"" quilts point north to freedom; later generations, born free, earn economic emancipation by selling quilts now valued for their beauty as well as the stories they tell. Soonie, Woodson's great-grandmother, worked the fields; but her descendants are readers and teachers, and later artists and writers who commemorate the past. Although its structure is somewhat unwieldy, Woodson stitches her story together with a refrain of mother love: ""Loved that baby up so. Yes, she loved that baby up."" Talbott uses the patchwork motif to good effect with vignettes from the several lives plus numerous topical spreads: Blue and Gray states literally ripped apart by a fiery glimpse of the Civil War; a collage of 1960s turmoil. A handsome die-cut cover reveals Mathis May lighting the way; it opens to her Show Way quilt, a potent symbol of the hope, courage, and perseverance that light this handsome book. (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
Booklist Review
Gr. 3-5. A Show Way is a quilt with secret meanings, and the image works as both history and haunting metaphor in this exquisite picture book. Based on Woodson's own history, the unforgettable story tells of African American women across generations, from slavery and the civil rights movement to the present. The cut-out jacket design is impressive, as is Talbott's mixed-media artwork inside, which extends Woodson's clear poetic narrative with beautiful collages that make use of big triangles, squares, and curves to emphasize portraits and landscapes and show connections and courage. The first double-page spread is of anguished separation when Soonie's great-grandmother is sold "without her ma or pa." Growing up on a plantation in South Carolina, Soonie learns from Big Mama about children "growing up and getting themselves free," and also how to sew quilts with signs that show the way to freedom. Time passes: Soonie's granddaughter, Georgiana, has twin girls who march for freedom in the 1960s. The final glorious spread shows Georgiana's granddaughter, Jacqueline Woodson, laughing at home with her own beloved daughter, Toshi Georgiana, whose picture is embedded in a quilt, connecting her with those who came before. A must for the classroom, this story will move many readers to explore their own family roots; link it to the Booklist 0 interview with Woodson BKL F 1 05, in which she talks about what she owes to those who came before her. --Hazel Rochman Copyright 2005 Booklist
School Library Journal Review
K-Gr 5-Soonie's great-grandma was only seven when she was sold away from her parents in Virginia and sent to South Carolina. All she had was a piece of muslin from her mother, two needles, and bright red thread. She was raised by Big Mama, who cared for the plantation children and at night whispered stories of freedom. Big Mama taught great-grandma how to sew messages and directions into quilt patterns, a "Show Way." The quilt-making tradition is passed down through successive generations of women in the family. Finally, readers meet the narrator, who grew up to become a writer and tell "the stories of many people's Show Ways." A poignant trail at the end of the book shows eight generations of women and the author's baby painted against the background of quilt patterns. Show Way is a sophisticated book that introduces readers to the passage of time, family traditions, and the significance of quilts and their patterns in African-American history. The gorgeous, multimedia art includes chalk, watercolors, and muslin. An outstanding tribute, perfectly executed in terms of text, design, and illustration.-Mary N. Oluonye, Shaker Heights Public Library, OH (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
Show Ways are quilts with secret meanings--guides to freedom. In this beautiful volume, quilts are the connecting threads of the generations, from Soonie's great-grandmother, sold away from her Virginia home as a girl of seven, to Soonie's great-great-granddaughter Toshi, Woodson's daughter. It's a celebration of mothers--all of those strong women through the generations who "loved those babies up." Gorgeous multimedia art includes watercolors, chalk and fabric, photographs incorporated into original art and joyous watercolor figures jumping broom. Patchwork and crazy quilts are two common motifs used, the latter, with jagged stitching resembling railroad tracks, representing the harshest of times. Whether quilts were actual maps to freedom or such stories are simply folklore, quilts are a perfect device to portray the generations of a family. Like Deborah Hopkinson's Sweet Clara and the Freedom Quilt (1993) and Under the Quilt of Night (2001) and Doreen Rappaport's Freedom River (2000), this takes a difficult subject and makes it accessible to young readers. One of the most remarkable books of the year. (Picture book. 5+) Copyright ©Kirkus Reviews, used with permission.
