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Summary
Summary
A worldwide bestseller when it was first published in 1948, Alan Paton's impassioned novel about a black man's country under white man's law is a work of searing beauty. Cry, the Beloved Country is the deeply moving story of Stephen Kumalo, a Zulu pastor, and his son, Absalom. Set in the troubled and changing South Africa of the 1940s, it is also the story of a land and a people torn by racial injustice. The book is written with such keen compassion and understanding that the listener shares fully in the gravity of the characters' situations. Paton said of his book: "It is a song of love for one's far distant country." Thus, it is a tale that is passionately African while also being timeless and universal. Ultimately, Cry, the Beloved Country is a work of love and hope, courage and tragedy, born of the dignity of man.
Author Notes
Political activist Alan Steward Paton was born on January 11, 1903 in Natal, South Africa. He attended Maritzburg College and Natal University. He taught at Ixopo High School and Maritzburg College. In 1935, he was appointed principal of Diepkloof Reformatory for African Boys in Johannesburg and became interested in race relations. Although he intended to become a full-time writer after the publication of his first book, he instead became involved in politics. He was a member of the Liberal Party of South Africa, serving as vice-president, chairman, and president before the party was forced to disband in 1968 because of its anti-apartheid views.
Paton is best known for his political activism and his first novel, Cry, the Beloved Country. He also wrote a second novel, Too Late the Phalarope, and two autobiographies, Toward the Mountains and Journey Continued.
He died on April 12, 1988 in Lintrose, Botha's Hill, Natal.
(Bowker Author Biography)
Reviews (1)
Publisher's Weekly Review
In search of missing family members, Zulu priest Stephen Kumalo leaves his South African village to traverse the deep and perplexing city of Johannesburg in the 1940s. With his sister turned prostitute, his brother turned labor protestor and his son, Absalom, arrested for the murder of a white man, Kumalo must grapple with how to bring his family back from the brink of destruction as the racial tension throughout Johannesburg hampers his attempts to protect his family. With a deep yet gentle voice rounded out by his English accent, Michael York captures the tone and energy of this novel. His rhythmic narration proves hypnotizing. From the fierce love of Kumalo to the persuasive rhetoric of Kumalo's brother and the solemn regret of Absalom, York injects soul into characters tempered by their socioeconomic status as black South Africans. (May) (c) Copyright PWxyz, LLC. All rights reserved All rights reserved.
Excerpts
Excerpts
Chapter 1 There is a lovely road that runs from Ixopo into the hills. These hills are grass-covered and rolling, and they are lovely beyond any singing of it. The road climbs seven miles into them, to Carisbrooke; and from there, if there is no mist, you look down on one of the fairest valleys of Africa. About you there is grass and bracken and you may hear the forlorn crying of the titihoya, one of the birds of the veld. Below you is the valley of the Umzimkulu, on its journey from the Drakensberg to the sea; and beyond and behind the river, great hill after great hill; and beyond and behind them, the mountains of Ingeli and East Griqualand. The grass is rich and matted, you cannot see the soil. It holds the rain and the mist, and they seep into the ground, feeding the streams in every kloof. It is well-tended, and not too many cattle feed upon it; not too many fires burn it, laying bare the soil. Stand unshod upon it, for the ground is holy, being even as it came from the Creator. Keep it, guard it, care for it, for it keeps men, guards men, cares for men. Destroy it and man is destroyed. Where you stand the grass is rich and matted, you cannot see the soil. But the rich green hills break down. They fall to the valley below, and falling, change their nature. For they grow red and bare; they cannot hold the rain and mist, and the streams are dry in the kloofs. Too many cattle feed upon the grass, and too many fires have burned it. Stand shod upon it, for it is coarse and sharp, and the stones cut under the feet. It is not kept, or guarded, or cared for, it no longer keeps men, guards men, cares for men. The titihoya does not cry here any more. The great red hills stand desolate, and the earth has torn away like flesh. The lightning flashes over them, the clouds pour down upon them, the dead streams come to life, full of the red blood of the earth. Down in the valleys women scratch the soil that is left, and the maize hardly reaches the height of a man. They are valleys of old men and old women, of mothers and children. The men are away, the young men and the girls are away. The soil cannot keep them any more. Copyright © 1948 by Alan Paton Excerpted from Cry, the Beloved Country by Alan Paton All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.