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Summary
Summary
An honest explanation about how power and privilege factor into the lives of white children, at the expense of other groups, and how they can help seek justice. --THE NEW YORK TIMES
ONE OF HUFFPOST'S RECOMMENDED "ANTI-RACIST BOOKS FOR KIDS AND TEENS"
**A WHITE RAVEN 2019 SELECTION**
NAMED ONE OF SCHOOL LIBRARY JOURNAL'S BEST BOOKS OF 2018
Not My Idea: A Book About Whiteness is a picture book about racism and racial justice, inviting white children and parents to become curious about racism, accept that it's real, and cultivate justice.
This book does a phenomenal job of explaining how power and privilege affect us from birth, and how we can educate ourselves...Not My Idea is an incredibly important book, one that we should all be using as a catalyst for our anti-racist education. --THE TINY ACTIVIST
Quite frankly, the first book I've seen that provides an honest explanation for kids about the state of race in America today. --ELIZABETH BIRD, librarian
"It's that exact mix of true-to-life humor and unflinching honesty that makes Higginbotham's book work so well..."--PUBLISHERS WEEKLY (*Starred Review)A much-needed title that provides a strong foundation for critical discussions of white people and racism, particularly for young audiences. Recommended for all collections. --SCHOOL LIBRARY JOURNAL (*Starred Review)
A necessary children's book about whiteness, white supremacy, and resistance... Important, accessible, needed. --KIRKUS REVIEWS
A timely story that addresses racism, civic responsibility, and the concept of whiteness. --FOREWORD REVIEWS
For white folks who aren't sure how to talk to their kids about race, this book is the perfect beginning. --O MAGAZINE
Author Notes
ANASTASIA HIGGINBOTHAM is the author and illustrator of Divorce Is the Worst, Death Is Stupid, and Tell Me About Sex, Grandma--all part of the Ordinary Terrible Things series. She lives in Brooklyn.
Librarians love her, but not as much as she loves them.
Reviews (2)
School Library Journal Review
Gr 4-6-In this call to action, a young white child catches news fragments of a police officer shooting an unarmed black man. They witness their family members' discomfort, avoidance, and eventual dismissal of the shooting (and the resulting protests) while claiming, "We don't see color." The child's confusion leads them to the library for answers about the history of racism in the United States. Ultimately, they vocalize feelings of frustration to their parent. Told in second person to an assumed white audience, the text intersperses firm declarations that the structure of whiteness oppresses people of color with gentle reassurances that growth and change are possible-when bolstered by honesty and accountability. Higginbotham's trademark collage connotes the sweet simplicity of homemade crafts sharpened with the candor of radical zines, and adds layers of meaning that can serve as conversation starters for keen-eyed readers. A page discussing economic oppression, for example, depicts white hands with shirt sleeves made of U.S. dollar bills. The inclusion of a relatable narrative alongside age-appropriate language and direct explanations make this an essential text for young readers, and adults, unfamiliar or uncomfortable with the role of white people in dismantling racism. Back pages include an activity section that is visually rich but structurally vague; each page reads more as a discussion point than an exercise. In an image depicting racial profiling, the security guard closely observing a black child also appears to be a person of color; in a book on whiteness, this feels like detraction from an otherwise consistent message. VERDICT A much-needed title that provides a strong foundation for critical discussions of white people and racism, particularly for young audiences. Recommended for all collections.-Ashleigh Williams, School Library Journal © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
A necessary children's book about whiteness, white supremacy, and resistance.Higginbotham's text includes both dialogue among white adults and a white girl grappling with her growing race consciousness and additional text that references and unpacks the ideas in that dialogue. The connective tissue between these two essential pieces of the book can be weak, but the book as a whole is sure to spark conversations, and its collage art and DIY aesthetic may encourage creative expression. The dialogue begins when the girl overhears snippets of a news story about a police officer (whose white hand is shown holding a gun) killing an unarmed black man. "Oh no, not again," says her mother, covering her eyes, and the girl asks "What? Mom. What not again'?" Instead of responding, Mom turns off the TV and dodges questions, asserting, "Our family is kind to everyone. We don't see color." The girl grows increasingly frustrated and eventually seeks information independently while also asserting that she does see color and knows "that what that police officer did was wrong!" Precisely how she came to this raised consciousness isn't clear, and no adults seem sympathetic or overtly supportive. Narrative text directed at readers (perhaps also absorbed by the girl as she reads?) highlights white people engaged in anti-racist activism, and it avoids undermining itself by also placing historical and contemporary black activism at the center. Curiously, however, the text excludes people of other races from its discussion.Important, accessible, needed. (Picture book. 5-12) Copyright Kirkus Reviews, used with permission.